“Rogue Descendant” by Jenna Black (Reviewed by Casey Blair)

Posted in Fantasy Literature on May 16th, 2013 by Admin

Order “Rogue DescendantHERE
Read An Excerpt HERE
Rogue Descendant, published at the end of April, is the third of Jenna Black’s latest urban fantasy series (she’s written a few, all worth checking out), the Nikki Glass or Descendantseries. This is one of those world-building structures where Greek mythology features heavily, though there are some other cool mythologies as well. Essentially, the gods have descendants, and if a mortal descendant kills an immortal one, they gain immortality and some magical powers related to whatever deity they’re descended from. How our protagonist came by her seed of immortality is part of the matter of book one, Dark Descendant, but the fact of the matter is that all unwanted, Nikki has to learn how to live in the world she’s joined and with the powers she inherited from Artemis. Unfortunately, while she’s beginning to deal with the former, there is no movement on the latter.
This bothers me. In book one, of course Nikki wouldn’t know how to use her powers; she was too busy trying to survive to start exploring them. Book two rolls around and that no longer holds up; when her approach in book three is still pretty much, “Oh, I feel like we should turn this way for no apparent reason IT MUST BE MY HUNTING POWERS,” I have suspension of disbelief problems. In fairness, Nikki seems to find this ridiculous as well, but she doesn’t seem inclined to do anything about it. She can come up with ways for other characters to explore their power, but her own she ignores until she needs it and then vainly wishes it worked better. Possibly a comment on human nature, but I find it tiring.
There’s also no net movement on the romance front it’s still well-handled, but it leaves off in pretty much the same place as the last book. I can deal with that, though. What concerns me is that the climax of all three books has involved a final confrontation with Nikki and Anderson, the head of their non-Olympian-descended-exclusive band who is not the love interest, against an external threat, and now this book has been dropping hints that we are going to have a love triangle on our hands, and I hate love triangles.
However, excepting the fact that all the immortal characters seem to be easily swayed by circumstantial evidence when they’re supposed to be experienced enough with Byzantine plots to know better, they do all behave in horribly logical and often twisted ways given what they did know and who they were. Konstantin’s son is a refreshingly complicated sort-of-villain, and the lingering problem of Emma has been resolved. In theory. Jenna Black is great with character consistency and emotional responses to traumatic events, be they personally painful or physically, that really resonate as true. It must be said that Nikki is very inventive about not relying on magic or immortality to save her, and understanding her limits makes scenes a lot tenser than they would be if she knew how to use her magic and depended on it. I burned through this book, which is always a good sign.
And yet, I’m disappointed in this installment. Rogue Descendant wasn’t painful to read by any stretch, but there’s no character growth, no romance development, no exploration of the protagonist’s abilities, and no particularly revealing information about the world. I feel like this whole book was in order to set-up the characters’ huge problems in the next book. It’s very plot-centric, and I want more from a story than just events unfolding.


Fantasy Book Critic

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“Three Parts Dead” by Max Gladstone (Reviewed by Casey Blair)

Posted in Fantasy Literature on April 21st, 2013 by Admin

Order “Three Parts DeadHERE

Read An Excerpt HERE

With the recent announcement of the Hugo nominations, I wanted to talk a little bit about one of the nominations I found most exciting: Max Gladstone for the John Campbell Award for Best New Writer. His debut novel Three Parts Dead was one of the best books I read all last year. If you haven’t checked it out, you should definitely give it a read before the sequel Two Serpents Rise is released this October.

I’m not entirely sure what speculative fiction subgenre Three Parts Dead falls into: I usually call it epic fantasy, though in some ways it feels more like urban fantasy—largely because the book takes place in and revolves around the affairs of one city. It’s even got some steampunk elements in there, so the author really just ignored genre distinctions and pulled out all the stops.

Gladstone adopts a lot of tropes long-time speculative fiction readers will recognize: God Wars, craftsmen, zombies, vampires, and gargoyles, sun and moon gods, power armor, etc. But he’s doing something new with every single one of them, and combining them in really unexpected ways. I mean, power armor and gargoyles and god wars together, not to mention raising gods from the dead? Who does that? Gladstone packed as much awesome as he could into one world, and it totally paid off.

One reason I’m calling Three Parts Dead epic is because the scope of the world is vast. With so many things to explain, this book was wonderful about exposition. I wanted to know many things before I learned them, but I learned them exactly when I needed to know. Because of the scope, there were times when it felt like too much to process at once, but that’s what comes with having a new, innovative world. Even if I didn’t understand everything right away, by the time I needed to put the pieces together the information had been well-integrated.

We don’t learn everything about the world, but we learn enough to suggest how big it is. We learn about the economics of paper, and how communication in the city setting differs from other places, and what transportation regulations people keep in mind.

Another reason I’m calling the novel epic is because of the multiple POVs. I loved that a majority of the POV characters were female, because I don’t see that enough in epic fantasy. Each POV character behaves intelligently given the information they have, and even when they disagree with each other, they give sound arguments. For example, when two academics debate, they reference dense theoretical arguments, while when an academic and a clergyman debate gods, they have trouble relating to each other. Each POV character comes from a different perspective, their scenes are written accordingly, and that further fleshes out the world.

For the magic system, the readers get a sense that there are limits to what an individual craftsman can do with craft, but we don’t really know what the limitations of craft itself are. There is some basic theory on how craft works, enough that we believe there are rules, yet its workings remain numinous. This is my favorite way to treat magic in books.

Three Parts Dead gets theoretically dense, which is fascinating, and packed with all kinds of ethical issues. I appreciated the underscoring themes about failure, addiction, lines that cannot be uncrossed and lines that can, the strength of platonic love rather than romantic, and dozens more besides.

What really makes this book isn’t the world-building, though; it’s that all of the POV characters are set up as competent in some ways, but by the end they all must do the thing they believe they cannot do. Every single one of them. The moments of epic just pile up until the very final scene, which is pretty much the best ever. I think I re-read that scene three times before I finally convinced myself a scene that awesome really had just happened.

Three Parts Dead works as a stand-alone, but Max Gladstone also set up a lot he can play with later. I was thrilled to learn this novel is the first of a series, and I think if you give this book a shot you will be, too.


Fantasy Book Critic

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Sleight Of Hand by Phillip Margolin (Reviewed by Mihir Wanchoo)

Posted in Fantasy Literature on April 19th, 2013 by Admin

Official Author Website 
Order the book HERE
Read the first seven chapters HERE
Read Civilian Reader’s review of Executive Privilege 
Read Fantasy Book Critic’s review of Supreme Justice
Read Fantasy Book Critic’s review of Capitol Murder
Read Fantasy Book Critic’s interview with Phillip Margolin

AUTHOR INFORMATION: Phillip Margolin is an ex-criminal defense attorney from the New York School of Law. He has had nearly a quarter century of experience working as defense attorney in Portland, Oregon and has all sorts of criminal cases appear before the United States Supreme Court, the United States Court of Appeals for the Ninth Circuit, The Oregon Supreme Courtand The Oregon Court of Appeals. He was the first Oregon attorney to use the Battered Women’s Syndrome to defend a abused woman. Two of his books and a short story have been made into movies. He lives in Oregon state.

OFFICIAL BOOK BLURB: Charles Benedict—criminal defense lawyer, amateur magician, and professional hit man—and Private Investigator Dana Cutler are on a collision course set in motion by Benedict’s greatest sleight of hand trick yet: framing a millionaire for the murder of his much younger wife.

Ten years ago, Horace Blair fell in love with Carrie, the prosecutor in his DUI trial. After a torrid courtship, he persuaded her to marry him and to sign a pre-nuptial agreement guaranteeing her twenty million dollars if she remained faithful during the first ten years of their marriage. The week before their tenth anniversary, Carrie disappears and Horace is charged with her murder. Desperate to clear his name, the millionaire hires one of D.C.’s most brilliant and ruthless defense attorneys, Charles Benedict, who, in a twist of fate, may be the very man who killed Carrie.

Meanwhile, private investigator Dana Cutler is in the Pacific Northwest on the trail of a stolen relic, a medieval scepter dating from the Ottoman Empire. Hitting a dead end sends her back to Virginia perplexed and disappointed—yet, the jewel-encrusted specter may be the key to the twisting case of Horace and Carrie Blair.

It’s the perfect crime, unless Dana Cutler can conjure a few tricks of her own to take down a cunning psychopath and expose his diabolical plot—before he can work his deadly magic on her.

FORMAT/INFO: Sleight Of Hand is 312 pages long divided into Sixty chapters over three parts. Narration is in the third person via Dana Cutler, Charles Benedict, Horace Blair, Carrie Blair, Stephanie Robb, Frank Santoro, Gregor Karpinski, and Sarah Gelfand. This book has a self-contained plot line, but also contains characters that have appeared in previous books and has a few minor references to certain past events from those books.

April 9, 2013 marks the North American Hardcover and e-book publication of Sleight Of Hand via Harper Collins.

ANALYSIS: After discovering Phillip Margolin via Wild Justice nearly a decade ago, I have made sure never to miss any of his amazing mystery-thriller books. Phillip Margolin is a master storyteller and often comes up with complicated plots that feature a vast character cast. With this new standalone book, hebrings back a character from his previous published Washington trilogy. Dana Cutler is the main protagonist of this tale, which borrows some plot points from the classic Maltese Falcon storyline and is the author’s ode to it as well.

The storyline characteristically begins in Margolin fashion with various disticnt plot threads; the first one focusses on Dana who is still doing what she does best and trying to stay out of mortifying cases as shown in the previous trilogy volumes. Fate and the author it seems have other plans for her as she soon finds out. The storyline also features a very fascinating character in the form of Charles Benedict who is a defense attorney to many shady characters but does it with such suave and charm that it often belies his deadly wiles. The second plotline deals with Carrie Blair who is the wife of Horace Blair and soon to receive twenty million dollars with their impending separation. Things however never go as planned and of course the stage is set for a confrontation of minds between Dana and Charles.

Their entanglement occurs in ways that are very unpredictable and almost entirely unexpected. The plot is twisted and of course laden with several surprises that will keep the reader motivated to flip the pages and figure out the main mystery. This is the main aspect of Phillip’s writing that I so adore, besides Jeffrey Deaver, its only Phillip Margolin who consistently comes up with these fantastic plots that have me guessing while not seeming to be rehashes of his previous books (John Grisham I’m looking at you). When dealing with a large character cast, characterization is very vital to the success of its plot and this book is no deviation from that successful formula. Besides Dana and one minor character, everyone else is a new character and a fully rounded one at that.

In regards to character cast, reader, who have read the previous books wherein Dana was featured will love this new twist in her professional life whereas for new readers the author gives enough background details for them to understand her and her psyche. Also the author takes care not to spoil the previous books beyond what was mentioned in their blurbs and even so only some details of the first book of the trilogy gets mentioned. I quite liked this aspect as this way for older readers, there was no rehash of previous events which they are familiar with and for new readers the previous books remain unspoiled. In regards to Charles Benedict, the character while fascinating does some things which would be hard to believe in a real-life court of law. In this regard I think the author was just trying to create a flamboyant character and so I can overlook some of these discrepancies in regards to his tricks.

Lastly there’s the pace of the plot, which makes the read a lively one and constantly prods the reader forward. I thought that this book was one of his better paced ones as the author had complete control over his story with all the twists and revelations. No page seems to be wasted with any side digressions and everything that is revealed is of importance to the end climax. Readers hopefully should enjoy this twisted ode to Dashiell Hammett’s masterpiece which while not fascinating as the original still delivers as a thrilling story.

In regards to any negatives with this story, it reminded me a bit of Proof Positive in regards to the final climax and plot resolution. Perhaps some readers might feel that it is a generic storyline and so experienced readers might not find it entirely to their liking. Overall though there’s not much for me to complain or point faults at with this book. Readers have to keep in mind that this is no literary novel but a mystery thriller that has aims to keep the readers guessing till the end and entertain them wholly. On this front the book and author have succeeded entirely.

CONCLUSION: I thoroughly enjoyed this story and while Dana Cutler wasn’t one of my favorite characters in the author’s previous work. In this book I thought she was a good protagonist to anchor the storyline. Sleight Of Hand simply confirms Phillip Margolin‘s place among the top rung of Mystery/Thriller writers with the addendum that he’s also one of the most under-appreciated ones.

Fantasy Book Critic

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The Machine God by Meilin Miranda (Reviewed by Mihir Wanchoo)

Posted in Fantasy Literature on April 16th, 2013 by Admin

Order Black Mercury HERE
Order The Kaiser Affair HERE
Order The Machine God HERE
Read FBC’s Review of Lovers And Beloveds
Read When Collaborating, Say Yes! (A guest post by Meilin Miranda)
Read On Machines And Talking Birds (A guest post by Charlotte E. English)
Read The Kaiser Affair – A fantasy thriller and travelogue to The Drifting Isle Chronicles (A guest post by Joseph R. Lewis)
AUTHOR INFORMATION: MeiLin Miranda came back from the dead to write books. In 2006, she suffered a cardiac arrest and realized it was high time to get on with writing fiction after 30-plus years of professional nonfiction writing. Her main series is the fantasy epic saga An Intimate History of the Greater Kingdom, and she is a co-creator of the shared steampunk fantasy series The Drifting Isle Chronicles. Her influences include Ursula K. LeGuin, Anthony Trollope, Jane Austen, Patrick O’Brian, Georgette Heyer, MFK Fisher and Neil Gaiman.
She can’t seem to get away from writing stories set in the 19th century (or something like it) no matter what she does. MeiLin lives in Portland, OR with a husband, two kids, two cats, a floppy dog and far, far too much yarn.
OFFICIAL BOOK BLURB: One thing makes life in Eisenstadt bearable for exiled Professor Oladel Adewole: the island floating a mile above the city. He’s an expert in world mythology about the island, but no one’s ever been there or knows how it got there.
When a brilliant engineer makes it to the island in her new invention, the government sends Adewole up with its first survey team. The expedition finds civilization, and Adewole finds a powerful, forbidden fusion of magic and metal: the Machine God.
The government wants it. So does a sociopath bent on ruling Eisenstadt. But when Adewole discovers who the mechanical creature is–and what it can do–he risks his heart and his life to protect the Machine God from the world, and the world from the Machine God.
FORMAT/INFO: The Machine God is seventeen chapters long with a singular third person narrative voice via Professor Oladel Adewole. This is a standalone story and is a part of the Drifting Isle Chronicles of which there will be a total of four books released this year. The e-book edition was self published on April 4, 2013 by the author with the paperback edition to follow. The cover art is by Elsa Kroese.
ANALYSIS: In regards to the Drifting Isle Chronicles, I first heard about it last year and was lucky enough to talk to Joseph R. Lewis who was the main person instigating the project. He spoke about it a bit in his interview and since then I’ve been tracking it. In the last few weeks Joe contacted me and said that they were going to release three novels currently with one more to come later this year. There have been a series of guest post wherein an overview was given about the world as well as each author spoke about their own book and their favorite aspect about the shared world. Here are the guest posts:
A couple of years ago, a few blogger friends and I had done a multi-story review. I decided to ask those fine folks again for their help and Qwill and Melissa graciously volunteered their time. So for the three DIC novels it was decided that Qwill would review Black Mercury, Melissa would take a look at The Kaiser Affair and I would focus on The Machine God. So today here’s my TMG review and Melissa will be posting her thoughts later today about The Kaiser Affair on her blog followed by Qwill’s Black Mercury review on Thursday (18th April) on the Qwillery.
With The Machine God, Meilin had mentioned in her guest post as to how she got selected for writing about it. This book deals with a very crucial aspect of the storyline as it focuses upon Inselmond, the Drifting Isle that is located above the city of Eisenstadt. This story occurs a bit after the events of Black Mercury as the Island has already been discovered. Thus certain events lead to the inclusion of Professor Oladel Adewole, who is a Jero native and connoisseur of old, lost languages. He is also a polyglot and lover of coffee and perhaps the odd man out in academia. He looks often to his friend Karl Deviatka for support against the university chancellor who seems to dislike Adewole on sight and tries to prolong his official position. He however gets chosen because of his aptitude and soon finds out that the people of the drifting isle have a secret. A secret, which in the wrong hands might lead to an apocalypse, and that secret is what is the Machine God?
Meilin Miranda lovingly crafts this story about an outsider who is lost on personal and professional levels but strives to do the right thing always. With this story we get a third person perspective on the events of the story however it doesn’t rob us of the intimateness as often experienced via the first person narrative storylines. The main protagonist is an endearing person and the author’s characterizations marks him out splendidly. This tale while being a story about discovery of a new island is also about personal discovery in regards to several characters and that includes a wise owl that makes appearances throughout. The story slowly unveils all the issues at hand and though takes its time; the prose and world presented keep the reader fascinated for the entire time. Lastly the story unveils a rather dark turn of the world’s history and I’m hoping the founding chroniclers decide to explore it in the future as well.

Drawbacks to this tale are that it features a slower paced storyline as compared to The Kaiser Affair or Black Mercury however those story lines demand such a fast pace. With this story, it will depend on the readers to decide whether the pace matters in the enjoyment of this tale or not. Lastly some characters are mentioned and make an appearance and leave the stage very quickly, this is due to the fact that they are making cameos. Such appearances might confound certain readers and it will be good if they read this overview post by Joseph Robert Lewis to get a better sense of the story and world presented within.

CONCLUSION: Meilin Miranda writes a fascinating story about a person’s search for the greater good. The Machine God is a story that I enjoyed thoroughly. I would recommend this story heartily for those wanting a well-nuanced storyline. The Machine God is a good way to start the Drifting Isle Chronicles and I’ll be sure to check the other titles ASAP.
Note: To read Melissa’s review of The Kaiser Affair by Joseph R. Lewis, click HERE. Qwill will be reviewing Black Mercury by Charlotte English on Thursday.

Fantasy Book Critic

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No Return by Zachary Jernigan (Reviewed by Mihir Wanchoo)

Posted in Fantasy Literature on March 28th, 2013 by Admin

OFFICIAL AUTHOR WEBSITE 
Order NO RETURN HERE 
Read Zachary’s guest post The Debut Novel: A Series of Intentions  
Read Civilian Reader’s Interview with Zachary Jernigan 

AUTHOR INFORMATION: Zachary Jernigan was born and brought up in the United States and has lived for most of his life in the western half of the country. He has a BA in Religious Studies from Northern Arizona University (2005) and an MFA in Creative Writing from University of Southern Maine’s Stonecoast program (2011). His short fiction has appeared in a variety of places, including Asimov’s Science Fiction, Crossed Genres, and Escape Pod. He has previously worked in a variety of fields and avoids seeking management positions. He currently lives in Northern Arizona and No Return is his Debut novel.

OFFICIAL BOOK BLURB: On Jeroun, there is no question as to whether God exists–only what his intentions are.

Under the looming judgment of Adrash and his ultimate weapon–a string of spinning spheres beside the moon known as The Needle–warring factions of white and black suits prove their opposition to the orbiting god with the great fighting tournament of Danoor, on the far side of Jeroun’s only inhabitable continent.

From the Thirteenth Order of Black Suits comes Vedas, a young master of martial arts, laden with guilt over the death of one of his students. Traveling with him are Churls, a warrior woman and mercenary haunted by the ghost of her daughter, and Berun, a constructed man made of modular spheres possessed by the foul spirit of his creator. Together they must brave their own demons, as well as thieves, mages, beasts, dearth, and hardship on the perilous road to Danoor, and the bloody sectarian battle that is sure to follow.

On the other side of the world, unbeknownst to the travelers, Ebn and Pol of the Royal Outbound Mages (astronauts using Alchemical magic to achieve space flight) have formed a plan to appease Adrash and bring peace to the planet. But Ebn and Pol each have their own clandestine agendas–which may call down the wrath of the very god they hope to woo. 

Who may know the mind of God? And who in their right mind would seek to defy him?

FORMAT/INFO: No Return is 292 pages long, divided over five parts which is further divided into twenty-three chapters and a prologue and epilogue. Narration is in the third-person primarily via Vedas Tezul, Churli Casta Jones, Berun, Pol Tanz Et Som, Ebn Bon Mari and Adrash. This book can be read as a standalone and has resolves most of its plot threads.

March 5, 2013 marked the publication of the US Hardback and e-book edition of No Return by Night Shade Books. The cover art is provided by Robbie Trevino.

ANALYSIS: Zachary Jernigan’s No Return is a debut that drew my attention to it like a moth to a flame. The blurb detailed a foreign world and races that was simply too enticing for a fantasy fan like me. The author was kind enough to send me a copy and I started reading it with high anticipation but not knowing what to expect.

The story is set on the world of Jeroun wherein a single habitable pan-continent is the focus of the entire tale. It is a world wherein a God named Adrash has existed for eons and now has left humanity and other races bereft of his divine presence. The world since then has developed in interesting ways after Adrash nearly destroyed it by causing two of his artificially created spheres to slam onto Jeroun’s surface and caused an ice age of sorts. The two main religions that have arisen due to these actions are Adrashi and Anadrashi that espouse either rule of Adrash or rule of man. Both these factions have long clashed with each other causing further rifts and doubts to arise. Adrash since then has created a spheres that he aligns in a fashion of sorts, which has been titled “the Needle” and threatens to wipe out Jeroun’s inhabitants. This has lead to an interesting development and now we find ourselves in midst of the story wherein all the characters are trying to achieve what they think they should.

Vedas Tezul is a warrior of the 13th order of Black Suits who is also the most adept fighter amongst them and is chosen to be their representative for the decennial tournament at Danoor. Churli Casta Jones is a warrior who has her own reasons to travel to the Danoor tournament but she’s not alone and will have to learn to trust other warriors again. Berun is a constructed man and therefore not entirely human but he shares within his mind, memories of his creator and will have to decide whether he is his own person or just a creation. Pol Tanz Et Som and Ebn Bon Mari are royal outbound mages who regularly make trips into space to observe Adrash and the Needle. They however have their own plans to accomplish and they will do anything everything to get their way. These are the main POV characters and the reader will have to ascertain what each and everyone wants.

This book is one of the weirdest and simply terrific fantasy-SF hybrids that I have ever come across. Firstly kudos to the author for coming up this plot and ensconcing a complex world, races, and magic system within such a slim volume. The author also retains a certain simplicity to his tale by not making it overtly obtuse a la Erikson or R. Scott Bakker. This was one aspect that I liked a lot, not that the author has made this story an overtly simplistic one as there’s a lot going on and packs quite a wallop within its pages.  It focusses on religion, group mindsets and the way of life as evolved due to circumstances (as seen uniquely on this planet) and all of which makes for a very fascinating story.

His world and storyline are definitely unique in the sense that they combine different genres and themes to give us a story about finding the truth (be it about life, religion, one’s role, etc). The author has to be lauded for his effort in undertaking such a different story as he also tackles various issues brought forth by religious viewpoints that differ drastically, ethnic and racial tensions and much more. He however has managed to combine all these difficult queries within the folds of his story in spite of the single volume nature of the tale. The author also takes a very vivid view towards the sexuality of his characters and writes some exotic scenes featuring alien anatomy. For a few readers who aren’t used to such frank scenes, might not be able to fathom it entirely but again it will be upon the reader’s perspective in regards to the judgment of these scenes.

If there is a drawback to this story then it would be the way the story ends, the reader will want to know more about the world and the characters introduced within. In this regard while the story ends on a climatic note, certain threads left open will cause some consternation for readers that are engulfed within the story. I was one among them and therefore I would very much like to know more about the future and past of this strange alien world. Zachary Jernigan has spoken about this aspect in his guest post a bit as well in his email correspondence. Hopefully most of the questions about the world and its history will be answered in a companion volume and so I’ll among the first to grab it whenever its written.

CONCLUSION: Zachary Jernigan writes with a flair for the weird and makes it endearing enough for readers to feel familiar with it. No Return is a magnificent debut that straddles fantasy and SF genres seamlessly and makes itself into a jewel faceting both fields. I completely loved this debut and will have very high hopes from Mr. Jernigan for all his future works based on the raw talent that is showcased within. Make sure you don’t miss this one as this book will be definitely featuring highly in my year end lists.

Fantasy Book Critic

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“Etiquette & Espionage” by Gail Carriger (Reviewed by Casey Blair)

Posted in Fantasy Literature on March 23rd, 2013 by Admin

Order “Etiquette & EspionageHERE

Read An Excerpt HERE

Etiquette and Espionage—published February 5, 2013 via Little, Brown Books for Young Readers—is the first of Gail Carriger’s new YA Finishing School series, set in the same world as The Parasol Protectorate, but 25 years earlier. If you’ve read The Parasol Protectorate, you’ll recognize a couple of characters; if you haven’t, don’t worry.

Our protagonist Sophronia is essentially drafted into a finishing school that is nothing like what a proper finishing school should be—where the girls are being trained to “finish…everything…and everyone…as needed.” That is to say, they don’t just learn proper curtsies and quadrille technique; they are also taught poisons and covert operations. Sophronia, not being the passive sort, adapts to her new circumstances, assembles cohorts, and sets about unraveling a mystery.

Of course, there are mechanimals, flywaymen, evil genius societies, werewolves, and vampires, to name but a few complications. Unlike in The Parasol Protectorate, the main characters are not endowed with any kind of magical abilities, and so Sophronia’s perceptiveness, quick-thinking, and daring are the most powerful tools in her arsenal, and she applies them with aplomb.

Etiquette and Espionage has the same lighthearted whimsy, fascination with etiquette and steampunk technology, and stroppy lady protagonist that I loved from Soulless. Although the tone is light, Carriger nevertheless sneaks in commentary on and subversion of first impressions, racial generalizations, gender roles, and social hierarchies. It’s a fun, fast-paced read, and it looks like there will be three more books in the series, the next of which, Curtsies and Conspiracies, we can expect this November.


Fantasy Book Critic

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The Grim Company by Luke Scull (Reviewed by Mihir Wanchoo)

Posted in Fantasy Literature on March 5th, 2013 by Admin

Official Author Website 
Order the book HERE
Enter to win a fantastic art piece by Larry Rostant based on the book (see image below)

AUTHOR INFORMATION: Luke Scull was born in Bristol and has lived most of his life in the British Isles. Luke also designs computer roleplaying games and has worked on several acclaimed titles for Ossian Studios and Bioware. Luke began his career, as a hobbyist game designer, who was selected by Bioware as one of his modifications to Neverwinter Nights, became a hit. Since then he has worked as designer on the Neverwinter expansion, Mysteries of Westgate, and an unreleased expansion for The Witcher role-playing game. He currently lives in Warminster with his wife and this is debut.

OFFICIAL BOOK BLURB: The grey granite walls of Dorminia rise to three times the height of a man, surrounding the city on all sides save for the south, where the Broken Sea begins. The stone is three-foot thick at its weakest point and can withstand all but the heaviest assault. The Crimson Watch patrol the streets even as Salazar‘s Mindhawks patrol the skies.

The Grey City was not always so. But something has changed. Something has broken at its heart. Perhaps the wild magic of the dead Gods has corrupted Dorminia’s Magelord, as it has the earth itself. Or perhaps this iron-fisted tyranny is the consequence of a lifetime of dark deeds…

Still, pockets of resistance remain. When two formidable Highlanders save the life of a young rebel, it proves the foundation for an unlikely fellowship. A fellowship united against tyranny, but composed of self-righteous outlaws, crippled turncoats and amoral mercenaries. A grim company. But with the world entering an Age of Ruin, this is not a time of heroes…

FORMAT/INFO: The Grim Company is 464 pages long, divided over forty-one titled chapters. Narration is in the third-person primarily via Davarus Cole, Brodar Kayne, Yllandris, Sasha and Tarn. This book is the first volume of the The Grim Company Trilogy. UK cover art is provided by Larry Rostant.

March 1, 2013 marked the publication of the UK Hardback edition of The Grim Company by Head Of Zeus and the e-book was previously released on February 1, 2013. The book will be published in the US in September 2013 by Ace-Roc books.

CLASSIFICATION: The Grim Company series is a dark epic fantasy series that can be best summed up as Joe Abercrombie‘s grim wit & gritty characterization meets James Clemens’ Godslayer Chronicles!

ANALYSIS: The Grim Company is Luke Scull’s debut title and Head Of Zeus secured it for a six-figure sum. Stefan alerted me to the book’s existence over at Civilian Reader. With an ever-intriguing blurb and terrific Spartan cover art, I contacted HOZ for a review copy to which they gladly obliged. I read it on a weekend while stuck at Minneapolis airport and those 7-8 hours were spent reading this book cover to cover. I was thoroughly entranced by it and I think Luke is going to be another British phenomenon like a certain editor-turned fantasy writer nearly seven years ago.

The story begins with a prologue event that is mentioned in the story rather scarcely but plays a very important role in the eventual build-up of the story and its main plot points. We are introduced to Davarus Cole, self-thought hero, fledgling revolutionary and a narcissistic fool all rolled into one. Davarus believes himself to be a hero destined for greatness as was his father Ilarius Cole and he has a special dagger to fulfill his destiny as well. Brodar Kayne is a barbarian from the High Fangs in the North fleeing his homeland for reasons revealed later in the story. He’s a formidable swordsman that is accompanied by a surly twin-axed warrior who goes by Jerek the Wolf. Both these Northmen are reputed warriors and will soon be caught up in destiny’s claws. Yllandris is a sorceress and concubine to Magnar, king of the High Fangs whose hunger for power will see her scale all opposition both mental and magical.

Then there’s Eremul the legless wizard who’s cruelly but rather aptly titled Half-mage. He resides in Dorminia trying to live as decent a life possible given his circumstances. Few know of the hatred that powers him and fewer still know his true intentions. Then there’s Barandas, Supreme Augmentor and Salazar’s most trusted warrior who lives as honorable a life possible among scum and is the lone lotus in a pool of mud. Lastly there is Sasha who is from the same group that Davarus belongs to but is more devious than Davarus will ever be. There are a few other characters that are given the spotlight in minor amounts but this is the main character cast. Lastly there’s the world itself, which bears explanation, as its also equally vital as one the POV characters.

Here’s the gist of the magic system and the world history. Precisely five hundred years ago, a score of wizards invaded the realm of the Gods and tried to defeat them. Amid this brazen attempt only thirty-odd returned and were heralded as MageLords who supplanted the godly pantheon they themselves had killed. This Deicide shifted the power onto the humans elevating them to a completely different evolutionary level however the world fell apart in the process and the divine magic is also slowly being depleted. These MageLords fight among themselves to hoard more power and therefore the known world is constantly in a state of flux. Chief to the story are Salazar the ruler of Dorminia, The White Lady  of the City Of Spires and Mithradates the Shaman of the High Fangs, there are others who merit a brief mention but do not come into play in this volume. The main reason for the war between these mages is over the hoarding of crystals that serve as repositories of wild magic.

This is the primary setting of the story and was the biggest draw of the storyline for me. This crumbling world wherein Deicide (I don’t know why but I like that word a lot) occurred and now the Age of Ruin is ascendant, is like manna for world-building geeks. It partly reminded me of the world showcased in the Godslayer Chronicles by James Clemens and like Clemens; Luke Scull gives his own slant to a world wherein the Gods are dead at the hands of their creations. Secondly the characterization is pretty top notch, even though the author uses fantasy stereotypical characters such as aging barbarian, disgruntled low-level mage, handsome fool, and devoted warrior fighting for the wrong cause. He makes these characters their own and while we might find their facsimiles in previous books by fantasy legends such as David Gemmell, Glen Cook & Joe Abercrombie, these characters aren’t diminished in any way by such comparisons. With a rather large character cast, the author competently handles all his characters and gives different viewpoints in the various happening of the story.

The characters are what make this story irresistible as we are given access to characters across the moral spectrum, most of them are grey to begin with but it is even more fun to read about character conflict and moral underpinnings with characters such as Barandas, Eremul, Yllandrius and Brodar Kayne. The author gives us tremendous insight into their thoughts and not to mention several large doses of snarky humor and witty dialogue. This will be the point that will remind a lot of readers of Joe Abercrombie and to a lesser extent even Scott Lynch. Not to repeat comparisons from previous reviews but it’s very easy to say if you like J. Abercrombie‘s or S. Lynch’s work then this title is a shoo-in for you. That’s no knock on Luke’s writing and plotting skills but a genuine compliment that his debut is refreshing enough to offer his own twists on things while adhering to regular fantasy tropes. Lastly the pace of the book and plot twists definitely aid in the read as the reader is constantly switched from POV characters as well location to give us a panoramic feel to the story. The climax while being as complete as the first volume of a trilogy can be offers enough crumbs to entice the reader for the next volumes.

I didn’t think that there were any negatives to this debut however on an objective note, people tired of gritty storylines and morally grey characters will not find anything to alter their opinions here. Secondly while the author goes for a very grim outlook in his dialogue, some of it just comes across as awkward at a few instances. While this point is certainly subjective for readers, I felt that this could be overlooked as a minor debutante foible. Lastly this debut is very characteristic of “grimdark fantasy” so be forewarned before picking up this debut. However for those thinking on giving this one a pass, know that you would be missing out on one of the best debuts of this year for sure.

CONCLUSION: Luke Scull delivers a fantastic story that is ripe with action, strong characterization and a tight plot. This debut novel will have most readers turning pages as quickly as possible and leave them eager for the sequels. The Grim Company is truly an EPIC fantasy debut that shows all the characteristic strengths of the genre whilst managing to avoid almost all its pitfalls. This is one debut not to be missed and marks Luke Scull as one of epic fantasy’s talented debutants.

NOTE: The Trine art piece done by Larry Rostant and image courtesy of Parmenion Books.

Fantasy Book Critic

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“On the Edge” by Markus Werner (Reviewed by Liviu Suciu)

Posted in Fantasy Literature on March 3rd, 2013 by Admin
Markus Werner at Wikipedia
Order “On the Edge” HERE
“A psychological drama with a masterful, pulse-quickening plot revolving around two seemingly very different men, who have more in common than they know.

Thomas Clarin is a divorce lawyer whose profession has fostered a deep and abiding distrust of marriage, preferring instead to “play the field.” Thomas Loos is a somber widower intensely mourning his wife’s death. With Clarin’s flirtatious, roving eye and Loos’s complete disenchantment with the world around him, it would seem these men had nothing in common. But after a fateful meeting in a crowded Swiss restaurant, the two strike up a conversation that unearths unnerving coincidences.

With brilliant ease, Werner’s meticulously rendered story begins quietly at first, then grabs its reader, refusing to let go. On the Edge, widely acclaimed by reviewers as a treasure of contemporary German literature, has been published in 15 different countries, and has sold over 400,000 copies in Germany alone since its publication in 2004.”

“On the Edge” is one of those books that makes one a fan of the author for life; sadly there are no more English translations of Markus Werner so far and as I cannot read German, I will try and track French or Italian translations of other books of the author. The first paragraph of the novel is of the kind that made me buy the book on the spot:

“Everything’s turning. And everything’s turning round him. It’s insane, but I’m even tempted to think that he’s sneaking around the house right now—with or without a dagger. Although he’s supposed to have left, and I’m just hearing crickets and the distant barking of dogs in the night.”

After this dramatic introduction by the narrator – womanizer mid-thirties Swiss divorce lawyer Thomas Clarin – he starts recounting how he drove to his mountain villa for a long weekend to write a paper on Swiss divorce law history, only to to go to a nearby famed restaurant terrace and due to its being busy, sit at a table with an older, powerfully built 50′s man, who at first ignores him after giving Clarin tacit permission to sit at his table. However after Clarin, outgoing, sociable, charming as his many conquests and “theory of dating” show, introduces himself, the older man starts paying attention and tells him his name is Loos as they start discussing stuff:

“Well, first, as I hinted, the discussion was all ‘God and the world,’ but then we gradually got more personal, more intimate, you could say. For example, he asked me about my life as a bachelor and then along the way about my love life.”

Loos is mourning his wife, dead one year ago after a bout with brain cancer and Clarin slowly falls under his spell:

“I met a man by chance at the Bellevue in Montagnola, a remarkable man, a little over fifty, a classical philologist. We got to be friends of a sort, talked with each other for two evenings long. His name was Loos, Thomas Loos, physically a bear of a man. He had come down here, as he gradually revealed, to commemorate his wife, his dead Bettina, whom he revered like a saint—it came across as crazy to me. He was unquestionably disturbed, from time to time almost unbalanced—then completely normal again and impressively sharp-minded, especially when it came to proving how awful the present age is, how unbearable the world—the only thing he valued was his wife, his happy marriage”

 
While the first part with its sort of “angels on the pinhead” discussion read like the ruminations of privileged white males from prosperous countries who never felt real deprivation and I started thinking “meh, these guys should have been born in a poor country and see if they would have their smug talk then…”, slowly the novel started going into the past of both Clarin and Loos and then it accelerated to an even higher level, by the last third becoming just a masterpiece of misdirection and twists and turns.
At the end, one realizes On the Edge is really astounding with a last third that completely turns things on their head, makes rereading the novel a must as well as makes one marvel at the little touches you do not see the first time but which get a lot of significance once you know what’s really what, not to speak of the control of the author as the reveals and storyline go.

Overall, On the Edge is a top 25 book of mine for 2013 (as the US edition has just been published in February by the NY Review of Books) and a novel I expect to reread quite a few times as times go by.
 

Fantasy Book Critic

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“Seraphina” by Rachel Hartman (Reviewed by Casey Blair)

Posted in Fantasy Literature on February 27th, 2013 by Admin

Order “SeraphinaHERE

Watch the Book Trailer HERE

After reading Marie Brennan’s A Natural History of Dragons (Reviewed HERE), I wanted to revisit Rachel Hartman’s debut Seraphina, a YA fantasy that broke some new ground with dragons when it was released in July 2012. You can read more about Rachel Hartman on her website here: http://rachelhartmanbooks.com/. Those of us who love fantasy have all read various depictions of dragons, but, like with other fantastical races (when was the last time you read a really innovative elf or werewolf?) I was starting to feel like no one was really innovating with dragons. Then I read Seraphina and got excited about dragons all over again.

Hartman’s world-building doesn’t go into excessive detail, but you still get a sense of a well fleshed-out world, like the foreign dance accorded politeness due to its long history but is still considered scandalous, the individual patron saints, and the excerpts of song lyrics—enough to imply centuries of history, struggles, and unique culture without bogging down the story. Hartmanalso pays attention to the physiological elements of language and doesn’t neglect technological innovations in her fantasy setting.

Dragons and shape-shifting have been done before, but the inner landscape of Seraphina’s mind was fascinating and innovative (I mean “landscape” somewhat literally, but I don’t want to spoil it). Characters’ unique magical talents surprised me every time. I did see the romance coming, but I loved reading its development. I could quibble about how easily Seraphina, the court musician’s new apprentice, becomes a trusted confidante of two royals, but I think the story made it work.

Seraphina is half-dragon, inheriting a combination of utter rationality from her dragon side and inspired recklessness from her human side. I felt Seraphina’spassion for music, and I understood her skill without the character making an issue of it. I loved the discussion of the difference between technically perfect music and music that movespeople.

I’ve read some commentary and critique on Hartman’streatment of being biracial, most recently by Aliette de Boadard HERE and Laura Vivanco’s response to her HERE. I would say if you’re reading the story only for that reason, you might be disappointed. Hartman’s handle of race issues can be argued effectively both ways; all I can say definitively is that during my reading I didn’t have any problems with it.

All the characters in Seraphina, not just the half-dragon ones, struggle to balance emotion and rationality. They deal with unintended extreme consequences of good intentions, how people react to deep-seated fear, and the slippery slope of truth and lies, all with surprising bursts of humor. Seraphina doesn’t take herself too seriously—but when she does, the story cuts through her self-pity with sharp insight.

I was riveted from the first page. I’m not sure when the sequel, tentatively titled Dracomachia, is due out, but as far as I’m concerned it can’t be soon enough. If you want to try a sample of the world and characters, check out Rachel Hartman’s free prequel short story, “The Audition,” on scribd HERE.


Fantasy Book Critic

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“A Natural History of Dragons: A Memoir by Lady Trent” by Marie Brennan (Reviewed by Casey Blair)

Posted in Fantasy Literature on February 22nd, 2013 by Admin

Order “A Natural History of Dragons: A Memoir by Lady TrentHERE

Read An Excerpt HERE

A Natural History of Dragons—released on February 5, 2013 by Tor—is the first of a new series by Marie Brennan. Her previous books include the Doppelganger series beginning with Warrior, and the Elizabethan fantasy Onyx Court series beginning with Midnight Never Come. You can read more about Marie Brennan on her website here: http://swantower.com/. I admit, I’ve had some trouble getting into her novels before, but this one hooked me right from the get-go.

I think what really got me was the voice: the narrator, Lady Isabella Trent, is an old lady with no fear of censorship; a lady who has become renowned as a dragon naturalist and has decided to write her memoir; a lady who isn’t afraid to write anecdotes and opinions that might scandalize others, because the scientist in her believes that an honest, open, and detailed account is of utmost importance. There’s a wonderful blend of clinical and emotional observations about her world, her life, and herself.

The story is set mostly in analogs of England and Russia, with references to Italy, Germany, and countries in Africa. It’s essentially Victorian, but with dragons. Structurally, the book uses Victorian chapter titles that manage to summarize the events of a chapter without giving very much of import away before you read it.

I loved the inclusion of sketches of dragons and various other places and people of import (so mostly dragons, because they are what is most important to the character), especially with the implication that the narrator has drawn these sketches herself. There weren’t all that many, but they were well-placed.

Brennan writes with an academic’s understanding of the world of academia, and her background in anthropology served her well not just in world-building, but also in understanding her narrator’s interaction with the past and current worlds. She gets away with a lot of exposition by having her older narrator explain how societal standards and her perception of world differ from those of her younger self. The narrator also periodically references written works in other Victorian styles with varying degrees of approval and chagrin (mostly chagrin, even for her own).

While I loved the older Lady Trent’sperspective, as she began her story I also immediately identified with her younger self, the little girl collecting bugs, though that will be different for everyone. The common feature, though, is that as a child she had hobbies that were not what society considered normal or recommended, and that is a more universal experience.

As a lady of her time, Lady Trent did not simply resolve as a child that she was going to buck society and become a heroic naturalist no matter what anyone thought. That would have smacked uncomfortably Mary-Sue-like for my taste, but it’s nothing so grandiose; she still exists as a lady of her time, but progressively becomes regarded as more the eccentric. She periodically makes references to what she calls her “deranged practicality,” which is part of what makes her story a joy to read. She has wild ideas that she then orders and executes with scientific precision.

Descriptions of places come to the reader through the lens of Isabella’s detail-oriented mind, cataloging specs and features, which keep us right in the character’s POV. The sheer detail also goes a long way for suspension of disbelief, because explaining the physics of how a dragon wing is structured goes a long way towards my ability to believe that it actually can work. She grounds her story firmly in the details, so the fantastical aspects seem utterly natural.

The POV gives Marie Brennan a lot of room for commentary. None of it is overhanded, but all of it was poignant. She manages to cover culture shock, the relative importance of proprieties given time and distance, the notion that scientific understanding changes with time, people who moralize from the comforts of their homes with limited understanding of realities in other places and walks of life, and the revolutionary idea that she could be both feminine and not feeble in the least. All this, and with a sense of humor: she deals with one double standard by commenting that although her editor is exploding, she sees no reason that she should be able to write about animal anatomy but not her own hips or breasts. She notes that despite exoticized stories of “flashing-eyed” women, she never once met anyone who emitted strange lights from her eyes.

I appreciate that Lady Trent gave no pretense of her marriage being a grand passion, and discussing a different kind of love based on mutual respect that grows over time. There’s not anything wrong with grand passion in a story, of course; but I do like to see other kinds of romantic subplots from time to time—not only because reading only one kind of love story give people very skewed ideas on what to expect out of life, but I also appreciate the variety.

Of course, I have a few quibbles. I admit that I wasn’t excited about the up-tight and strict mother vs. saintly father trope, but at least she qualified it. I also didn’t appreciate that the narrative makes it sound like the protagonist is the only woman in the world to be intelligent, let alone to have a scientifically minded brain. With the exception of one maid, all the other women in the story are interested in social standing and talk about nothing of import. Part of that could be a reflection of how the narrator perceived other women in her society, but to me it came across as all the male characters were allowed to have multifaceted beliefs and approaches, but the women seemed to behave as a whole—excepting our narrator.

There were a couple instances of faulty tense, which I’m fairly sure was an intentional choice to not spoil suspense. For instance, “So-and-so is good at tennis,” when So-and-so is actually dead before the end of the story. The book is written with the present-tense narrator narrating the affairs of her younger self, so the narrator would of course be aware that So-and-so dies before the end of her story. There were only a couple of misleading present tenses, and in those cases using the past would have given away something critical, which is why I’m convinced they’re deliberate. Other than those few, Brennan handled the switching between tenses flawlessly, which is no mean trick. Often times such switching can feel choppy or jarring, but the author blended the narrative seamlessly.

I suppose if you’re looking for epic dragon slaying hunts, this book may not be for you (though there is certainly some dragon slaying involved). This isn’t an epic take on dragons; it’s a memoir of scientific and personal discovery. There’s no obvious antagonist to defeat beyond lack of understanding, but what makes A Natural History of Dragons so riveting is Isabella’s quest not just to better understand dragons, no matter the cost, but to understand the metaphorical dragon in herself. I found the book completely engrossing, and I can’t wait for the next installment.

Fantasy Book Critic

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