Contest – Win Michael Moss’s Book Salt Sugar Fat and a $100 Threadless Gift Certificate

Posted in Pop Literature on May 18th, 2013 by Admin
Salt Sugar Fat

This weekend, Brooklyn’s Prospect Park hosts its second annual GoogaMooga food festival, and I am interviewing Michael Moss there tomorrow about his fascinating book, Salt Sugar Fat: How the Food Giants Hooked Us.

For a chance at winning this book and a 0 Threadless gift certificate, share your favorite guilty pleasure food in a comment. Cheese is easily my foodstuff kryptonite, in any and all forms.

One winner, chosen randomly from the commenters, will receive the following prizes:

Michael Moss’s book Salt Sugar Fat

A 0 Threadless gift certificate to buy book-related t-shirts like Storytellers, The Best Channels Since 1465, Fahrenheit 451, Brainy Rainbow, or Word!, and music-related t-shirts like Death Note, Funkalicious, Music Snob, or anything else that catches your fancy.

If you have already have this book or it doesn’t interest you, I am happy to substitute a second 0 Threadless gift certificate.

The winner will be chosen randomly at midnight ET Friday evening (May 24th).

also at Largehearted Boy:

previous and ongoing contests at Largehearted Boy

100 Online Sources for Free and Legal Music Downloads
Atomic Books Comics Preview (highlights of the week’s new comics)
Book Notes (authors create playlists for their book)
Daily Downloads (daily free and legal music downloads)
Largehearted Word (highlights of the week’s book releases)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily links from the worlds of music, literature, and pop culture)


Largehearted Boy

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Book Notes – Michael Downs – “The Greatest Show”

Posted in Pop Literature on April 27th, 2012 by Admin

In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.

Previous contributors include Bret Easton Ellis, Kate Christensen, Kevin Brockmeier, George Pelecanos, Dana Spiotta, Amy Bloom, David Peace, Myla Goldberg, Heidi Julavits, Hari Kunzru, and many others.

Michael Downs’The Greatest Show is an impressive short fiction collection debut. These ten interconnected stories about the horrific 1944 Hartford, Connecticut circus fire work well as standalone narratives, but taken as a whole can be read as a powerful novel.

Sabina Murray wrote of the book:

“Though each story stands alone in scope and power, the larger portrait of a community bound and propelled by fate–specifically, a catastrophic circus fire–is a stellar, magical achievement. The Greatest Show is a fantastically conceived, compelling book.”

Stream a Spotify playlist of these tunes. If you don’t have Spotify yet, sign up for the free service.

In his own words, here is Michael Downs’ Book Notes music playlist for his short story collection, The Greatest Show:

To that great ringmaster in the sky, the God of the Big Top, I’d like to say, “Thank you for Mr. Curtis Eller–that banjo-picking, yodeling, punk-folk ex-circus juggler who sings about Tammany Hall and Joe Louis and John Wilkes Booth.” Without him, and in particular without his album, Wirewalkers and Assassins, I couldn’t have made a cohesive playlist. With him, I think it kind of works.

My book, The Greatest Show, links stories via my birthplace, Hartford, Connecticut, and its famous circus-tent fire, which consumed a Ringling Bros. Barnum & Bailey big top during a matinee performance on July 6, 1944, and killed 168 people. The stories mix clowns with flames and scars that don’t heal; points of view shift story by story, and ten stories happen over the course of six decades. I’m biased, and it took nearly a decade of work, but I think the stories add up to a unified whole. But a playlist to reflect all that? In a few weeks? I struggled.

Then I discovered Curtis Eller and his song “Hartford Circus Fire, 1944.” Off the same album, his “Plea from the Aerialist’s Wife” includes the haunting refrain “Won’t you deliver this old heart from the circus fire?” One turn through the tracks, and I was smitten. It seemed Curtis, without having ever read my book, had provided its soundtrack.

But first, a Big Band memory from 1941 …

Ania
“Jersey Bounce,” Benny Goodman, Benny Goodman’s Greatest Hits

In this story, readers meet a young Polish immigrant who takes her three-year-old boy, Teddy, to the circus on the day the fire will change thousands of lives. But in an earlier scene, we see her at work as a maid who comes upon her employers in a moment of love and anguish, and on the radio nearby plays Benny Goodman’s instrumental hit. “Jersey Bounce” establishes the book’s–and Hartford’s–pre-Pearl Harbor swagger, yet the keening trumpet at the end suggests grief to come.

Ex-Husband, Years Removed
“Hartford Circus Fire, 1944,” Curtis Eller’s American Circus, Wirewalkers and Assassins

At a show in Baltimore where I live, Curtis asked the crowd to choose the next song he’d play: “Beautiful or Angry? Angry or beautiful?” The crowd called for angry, and he played this nifty, sad waltz. “Hartford Circus Fire, 1944” fits this story about a man in mourning for a person with whom he is still angry, a beautiful ex-wife who died in the circus fire. “A panic swept through the big top,” Curtis sings, “Stars and Stripes Forever, and those screams / and no one in Hartford is sleeping easy / because the circus lives here in our dreams.”

Ellen at the End of Summer
“Three is a Magic Number,” Bob Dorough, The Best of Schoolhouse Rock

Ellen Patterson wants children, but her body only gives her miscarriage after miscarriage. On a summer day in 1947, she admits to her husband her impossible desire for a boy she babysits, Ania’s son, Teddy. In this story, he’s five-years-old and bearing a body criss-crossed with circus-fire scars. The story ends on that same picnic afternoon, several decades before “Three is a Magic Number” became part of children’s Saturday-cartoon mornings. But it’s a song that makes five-year-olds dance. And if childless Ellen listened, she might have felt a pang of hopelessness at the lines, “A man and a woman had a little baby / yes, they did / They had three in the family / that’s a magic number.”

Son of Captain America
“Firing Line” The Allman Brothers Band, Hittin’ the Note

Two neighborhood friends come of age in this story, testing limits, figuring out whether they’re heroes or villains, and learning that sometimes they’re both. With Derek Truck’s riffs setting the tone, I can hear the story’s main character, Franco, singing to nasty Dominic, “I’ve known you since you been born / raising hell even as a child / Nothing’s changed since that day / You’re still out running wild … Change you’re life’s direction / Get off the Firing Line.”

Added bonus: A crowd of elephants dominate the album’s cover art.

Mrs. Liszak
“Bridge Over Troubled Water,” Simon and Garfunkel, Bridge Over Troubled Water

It’s 1980, and the star of this story is Ania’s working class neighbor. Suzanne Randall is a smart, artistic 16-year-old girl, whose mother has died and whose father in his grief has abandoned his family. She needs a bridge over her troubles, but has no idea how to build one, and those offered to her she burns. She’d relish the over-the-top melancholy of this song, listening to it over and over in the dark, feeling that “pain is all around” and fearing that she’s going to keep losing forever.

At the Beach
“So Nice,” Bebel Gilberto, Tanto Tempo

Teddy re-appears decades later, except now he’s Ted, a guy in his early 40s on a beach vacation where he’s been set up by friends to meet Rosa, a thirty-something lawyer from North Carolina. It’s a story that conveys, I hope, the practicality and sexiness of love between grown-ups. You know. What Bebel sings about.

Elephant
“When You Wish Upon a Star,” Jiminy Cricket (voiced by Cliff Edwards), Disney’s Greatest

In the neighborhood bar where “Elephant” takes place, a fellow sits in a corner playing this tune on his recorder in exchange for coins. Meanwhile, a teenaged-Ted listens as his father tells him a story that begins, “I once shot a circus elephant. Through the eye.”

Boxing Snowmen
“September When it Comes,” Johnny Cash and Roseanne Cash, The Legend: Family and Friends

This story, like the song, is a duet, shifting between the points of view of an aging wife and husband. Nick, once a boxer but now stroke-addled, yearns for those days when he could destroy things. Confused though he sometimes is, Nick would understand, with the clarity of a left jab, the words sung by the Man in Black: “I cannot move the mountain now, / I can no longer run. / I cannot be who I was then. / In a way I never was.”

The Greatest Show
“Je Te Veux,” Eric Satie, performed by Pascal Roge, Three Gymnopédies & Other Piano Works

Rosa and Ted are now married, and to celebrate his 60th birthday, she buys him tickets to the circus. But for reasons of national calamity, the circus cancels its performance. After learning Ted’s circus history, a few performers agree to give him, at least, the semblance of a show. As they juggle and parade, a roustabout chooses music to accompany them that is “an awkward tune, one sad and off-balance, teetering, uncertain, played as if it resisted playing but had no choice.” The story doesn’t name the song, but between you and me, it’s Satie’s “Je Te Veux”.

History Class
“Plea of the Aerialists’s Wife,” Curtis Eller’s American Circus, Wirewalkers and Assassins

This story, about Ted and memory and forgetting, is the finale. So I’ll let Curtis end the show, ladies and gentlemen, boys and girls, by singing:

“Won’t you deliver this old heart / from the circus fire? / Don’t walk away and let it burn.”

Michael Downs and The Greatest Show links:

the author’s website
the book’s blog
video trailer for the book

Contrary Magazine review
The Rumpus review

The City Wire profile of the author
Maryland Morning interview with the author
The Missouri Review essay by the author

also at Largehearted Boy:

other Book Notes playlists (authors create music playlists for their book)
my 11 favorite Book Notes playlists

List of Online “Best Books of 2011″ Lists
List of 2011 Year-End Online Music Lists

100 Online Sources for Free and Legal Music Downloads
52 Books, 52 Weeks (weekly book reviews)
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Largehearted Word (weekly new book highlights)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily music, literature, and pop culture links)
Soundtracked (composers and directors discuss their film’s soundtracks)
Try It Before You Buy It (mp3s and full album streams from the week’s CD releases)
weekly music & DVD release lists




Largehearted Boy

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Thoughts on Two Series Ending Novels: “The Daemon Prism” by Carol Berg and “Percepliquis” by Michael Sullivan (by Liviu Suciu)

Posted in Fantasy Literature on January 13th, 2012 by Admin
INTRODUCTION: Two highly expected novels of 2012 scheduled for January publication that ended their respective series turned out to share a few characteristics that disappointed me to some extent – after earlier installments in which traditional fantasy elements were understated, both The Daemon Prism and Percepliquis went heavily the “true and tried” way with evil from long ago (the 1000 year fetish in one case raised its head again, while in the other there were a few thousand years I think), heroes that have to vanquish it or else life as we know it will end etc, etc.

However Carol Berg‘s The Daemon Prism managed to overcome the above with a great character cast, moral complexity, universe expansion and superb writing, while considering its excellent ending, it pretty much fulfilled my ultra-high expectations and will be a top 25 2012 novel of mine.

On the other hand Michael Sullivan’s Percepliquis accentuated all the weak points of the earlier installments – most notably the sandbox world building which was easy to overlook when the main heroes were a pair of adventurers thieves but became a glaring weakness when the “heroes save the five city world” became the essential plot, while its cookie cutter ending added to the breaking of suspension of disbelief.

Still considering The Ryria Revelations as a whole, I would also recommend Percepliquis even if only for finding out what happens and spending more time with the heroes. But I much preferred Hadrian and Royce as gentlemen thieves than as world saviors and The Emerald Storm and especially Wintertide remained the very high points of the series for me.

Below I will add a few specific points about each novel while you can find full length reviews of the earlier installments in both series in our Review Index Page.

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The Daemon Prism Short Discussion:

- Dante narrates for the most part especially in the first half, but there are interludes from Anne that eventually grow in length and we even read Portier’s thoughts once again and Ilario for the first time, so all the main series characters narrate at least a little.

- the transitions are handled well though there is this tiny lack of smoothness in places as opposed to the one narrator earlier books.

- the novel has a lot of magic, way too much for me and the story becomes a very traditional one with a lot of stuff I’ve seen in countless novels to date, so again the originality of the first two books is somewhat lacking.

- the extraordinary characters, beautiful prose and superb ending more than make up for the above; I cannot emphasize how hard is to end series well and this novel does it pitch perfect imho with literally a final scene that is quite memorable.

Overall a top 25 book for me and one that should satisfy the fans of the series to date, while being quite accessible to people who have not read the earlier two volumes – though of course I highly recommend them to do it – as the necessary back story is recounted, while here the action moves in very different places with generally very different secondary characters than in the first two books.

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Percepliquis Short Discussion:

- this book in many ways came a year too late for me as I have been moving away from its subgenre; I still enjoyed it to some extent but I thought it weaker than both Wintertide and The Emerald Storm; those two books and especially Wintertide are the peak of the series for me.

- killing untold numbers of un-named or bit part characters and wreaking havoc on the world is much less emotional and effective than the tragic death of one main character which gave so much power to Wintertide.

- there were quite a few other issues I had – things are tied way too well in the end giving an impression of “all this is a game” rather than a real book as reality is messier; there were moments I felt that the few main characters were the only “real people” and the rest were just puppets that the author moved for the benefit of our heroes.

- the 1000 year timeline which here becomes essential is a bit ridiculous as a millennium is a really long time; maybe in prehistory when things moved slowly, yes but in historical time 1000 years are a lot; in earlier volumes this was more of a prop, but here as this moved to the forefront, it really seemed very simplistic.

- the world building also suffers when the plot becomes “save the world” as the limited universe of five cities (ok maybe slightly more, but you can count them easily) is pushed to the forefront and we see what a small sandbox the author has been playing in; in the earlier books this has not been an issue as their geographical action is limited except in The Emerald Storm and even there the action is local; here though when the action is global this “universe smallness” emerges as a major weakness.

Overall, “Percepliquis” which I would still recommend as the closing novel of a pretty good series overall, will appeal to readers who want every i dotted and every t crossed and do not mind a pretty simplistic way of doing that; as the series went on, I always have thought that the main twist at the end won’t happen as I thought it would be really corny and make the series weaker.

Fantasy Book Critic

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“Rise of Empire” by Michael Sullivan (Reviewed by Liviu Suciu and Cindy Hannikman)

Posted in Fantasy Literature on December 6th, 2011 by Admin
Official Michael Sullivan Website
Order Rise of Empire HERE
Read FBC Review of Nyphron Rising
Read FBC Review of The Emerald Storm
Read FBC Review of Wintertide
Read FBC Review of The Viscount and the Witch
Read FBC Review of Theft of Swords HERE

INTRODUCTION: While we have reviewed the two books that form this omnibus close to their original small press publication, I am re-posting the reviews below. The official (US) publication date of the novel is December 14 but the book is available in stores today as I’ve just seen it in our local B&N here in Ann Arbor, while Amazon also lists it as available.

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Original 2010 Review of Nyphron Rising:

INTRODUCTION: In the space of a short year and a half, Michael Sullivan has moved from a small press debut author that featured in one of my first “Indie Spotlight Reviews” to a “name” in the fantasy field who sold-out his first novel and is getting both critical acclaim and fan appreciation.

So much so, that when I was doing my “2009 Remarkable Small Press Reads”, I never even thought of including his superb novels there despite that they technically qualified. Instead in my end-of-the-year rankings, Avempartha went head to head against the “big names” and made both my Top 2009 Books list and Cindy’s Top 2009 Book list, while The Crown Conspiracy made Mihir’s Top 2009 Reads too. If you have not done so, read the series to date in order to see why, while Nyphron Rising is another great addition to it.

FORMAT/CLASSIFICATION: “Nyphron Rising” stands at about 350 pages divided into 17 named chapters that mainly follow our four main POV’s: Royce, Hadrian, Arista and Thrace aka Modina. The novel starts with two detailed maps of the world and ends with a line that will only heighten the interest for what’s next. While The Crown Conspiracy and Avempartha were mostly standalone adventure, though they started putting in place the elements of the “big-picture”, “Nyphron Rising” gets into the heart of the main story of the series, starting three main threads that presumably will converge later on.

After the more adventure-like first two installments, the series moves firmly into epic territory here and while the building block nature of the novel means that it will be fully appreciated only together with at least the next installment “The Emerald Storm”, “Nyphron Rising” moves the series toward the top-line of current fantasy offerings.

ANALYSIS/Cindy: Something about Michael Sullivan’s writing has intrigued me from the start. I have been captivated with this series ever since the first two books came out. Nyphron Rising was something I was looking forward to for a while. I had really high expectations for this book, however it’s a bit “out of the box” from the other two novels in this series.

Michael Sullivan is a masterful storyteller. The world and action that he has build up in his series is amazing. What’s even more amazing is that it was done without having to make the book 600+ pages. Like all great storytellers at some point there has to be a step back from all the action and quest hopping to focus on a major key element in a series: the characters. Nyphron Rising is that book in the series that steps back and develops characterization in favor of a bunch of action sequences.

At first glance it might appear a bit odd that a middle novel would focus upon going back and looking at where the main characters come from and look further into the background that was hinted at within the first two novels, but it oddly fits with the series. If the series focused on non stop action there would be a lack of characterization. if characterization was focused on there would be a lack of action. It seems appropriate that after two up front novels there would be a calmer setting to the third book.

I look at Nyphron Rising almost like a bridge to the other novels to come in this series. It’s a bit more toned down as far as action but very important to the series. It builds up the characters, yet at the same time starts paving the way for the future novels. While at first glance it might not seem important without it the series wouldn’t hold up as well as it does without this type of novel.

Sullivan does an excellent job of fleshing out the characters from the information readers were presented with in the first two novels, yet is able to move the story along without it appearing the plot is growing stale. In a way this approach has made me even more attracted to this series as I can truly say this has all the elements to make it an epic fantasy series.

Although the Riyria Revelations is built up as a group of stand alone novels with common threads. It really is best to have read the first two novels as I don’t feel a reader can fully appreciate what is going on or the build up for some of the plots. There are thread lines that have just started and are not resolved so in my eyes it’s at the point where it could no longer be a stand alone.

Since the bar was set so high with the first two books it might appear as though Nyphron Rising doesn’t match up to the previous two books, but that isn’t the case at all. It just takes a different approach then the previous novels. This novel is still just as much of a page turner and attention grabbing as the other two. The events in this book have set me up to wait anxiously for the next book. I can’t wait to see what happens and where Michael Sullivan will take his readers.

Liviu’s short take: In hindsight I realize that I failed to fully appreciate Nyphron Rising the first time because it took the series to a different place than I expected after Avempartha which now reads more like a standalone as The Crown Conspiracy was; Nyphron Rising finally starts the maneuvers at the heart of the big-picture in the series and on re-read, a lot is much clearer; while the Thrace/Modina thread is not fully formed and Royce and Hadrian have more of an exploratory/back-story role here, though of course they have an adventure or two, the one following Arista is just superb and the ending line of the novel is for the ages.

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Original 2010 Review of The Emerald Storm:

INTRODUCTION:In the space of a short year and a half, Michael Sullivan has moved from a small press debut author that featured in one of my first “Indie Spotlight Reviews” to a “name” in the fantasy field who sold-out his first novel and is getting both critical acclaim and fan appreciation. In my 2009 end-of-the-year rankings, Avempartha went head to head against the “big names” and made both my Top 2009 Books list and Cindy’s Top 2009 Book list, while The Crown Conspiracy made Mihir’s Top 2009 Reads too.

“Nyphron Rising” started the epic part of the series which had a lot of ground prepared in The Crown Conspiracy and Avempartha which were mostly standalone adventures, but here in “The Emerald Storm” the series ramps up considerably and “Wintertide” became of of my top five titles of the second part of the year.

FORMAT/CLASSIFICATION: “The Emerald Storm” stands at about 400 pages divided into 26 named chapters that mainly follow our four main POV’s: Royce, Hadrian, Arista and Thrace aka Modina, alternating between the adventures of Royce and Hadrian and the ones of Arista and Thrace. The novel starts with two detailed maps of the world and ends with a chapter that by itself shows how the series evolved to fulfill its early promise.

While “Nyphron Rising” started getting into the heart of the main story of the series, here the plot thickens, the world expands and we have action from the high seas, to the jungle, to the den of a barbarian warlord with allies in unexpected places and of course to the palace of the “Empress” where the main movers and shakers plot their takeover.

ANALYSIS: Cindy:
When setting out to write a series as Michael Sullivan has it can be quite an undertaking. The ability to keep the momentum going and not lose interest in the process can be very hard. Luckily Sullivan has done just that. In the fourth installment of the Riyria Revelations, the series is still running strong, possibly stronger now then when it first started.

When I read Crown Conspiracy I was amazed at this debut novel. Readers are now on the fourth title, and Sullivan still knows how to amaze readers with every twist and turn of the series. Every element that makes up an epic series is manifesting itself within these novels. After reading Nyphron Rising which gave everyone a bit more background and fleshed out the characters I was prepared to jump into Emerald Storm.

Emerald Storm has the gripping qualities that made me first enjoy this series. It’s quick moving, action packed, but also character driven. There’s a hard balance between action and character development, but Sullivan finds out to balance the two and not drag down the novel with lengthy paragraphs or time consuming character development. The main appeal to this whole series is just how natural the characters are developing, and really how each character grows as the series moves on. The bit of a darker approach to some of the aspects in the series was a nice touch. All threads that have been developing in the past 2 books are starting to really form and take shape, and that it what makes Emerald Storm so spectacular.

Every time I finish a book in this series it makes me want the next one instantly. As stated in Nyphron Rising review, the novels could be read as each individual book really doesn’t properly show the whole picture without reading the series together. Emerald Storm would be a rough read if one didn’t know the background, not an impossible read but it’d be a bit rough if you hadn’t read the other books.

For those that are veteran readers of fantasy there is a little plot twist that will spice up a bit of the novels and makes the next novel something that readers will be waiting in anticipation for.

Michael Sullivan shows that he isn’t just a one book wonder, or that his other novels were random hits. His Riyria Revelations series is taking shape very nicely, and it’ll be amazing to watch where he takes the other novels after this because with each novel there is a new surprise or approach to his writing.

Liviu: “The Emerald Storm” was awesome and it finally realizes the strong potential of the Ryria series; it also made me reconsider Nyphron Rising which sets this one up and reads much more fulfilling once we can continue the story started there.

The part cliffhanger ending makes Wintertide a big asap, but “The Emerald Storm” sits well on its own and lots of things happen, while we have great, great stuff in opening more the world and exploring stranger parts of it, duels, magic, suspense and even the weaker Modina thread started getting much better; the super-twist at the end left me stunned since I really did not see it coming; also the novel is considerably darker than the rest and while it’s no spoiler to know that the main characters (Royce, Arista, Hadrian) survive, the body count including secondary but interesting characters is rising.

“The Emerald Stormis an A++ and a top fantasy of 2010.

Fantasy Book Critic

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GUEST POST: Beyond Percepliquis by Michael Sullivan

Posted in Fantasy Literature on November 25th, 2011 by Admin


Beyond Percepliquis

Right now the majority of you are thinking…Per—what? But since you are reading Fantasy Book Critic, and the fine folks here have been so supportive over the years, you may have heard of me. I’m Michael J. Sullivan (the J. because there was already five authors sharing my name—and even by adding the initial, two of us still look identical) an indie-published author who rode last year’s digital tsunami and sold more books than I ever dreamed possible. Liviu Suciu was among the first to discover and pluck me from absolute obscurity, and now my books are being published by Orbit (the fantasy imprint of Hachette Book Group, one of the largest publishers in the world).

So now that you know who I am, you’re probably still wondering what that ridiculous perpendicular, Pentecostal, pterodactyl word is? First it is pronounced: Purr-sep-la-kwiss, and it’s the title of the last book of The Riyria Revelations, my epic fantasy series.

For those that don’t know, I wrote all six books (crazy as that sounds…but I wanted to ensure the stories would fit together) before the first one was released. My books are not a series of sequels; instead they are individual episodes with intertwining story arcs. Each book has its own conflict and resolution, but when read together, the whole is greater than the sum of the individual pieces.

Although I had written thirteen novels before starting The Riyria Revelations it was these books that finally made it to market, which is ironic since I had no intention of publishing then when I started. People in the business say that you need to make your first book the absolute best it can be, but I rarely do things the way others suggest, and I purposefully made my first book the weakest. Doing this was a huge risk. There will be people who quit early saying, “There’s no depth here,”—or—“the characters are shallow and ill-defined” and to this I’d reply, “You are absolutely correct.” But just like Inigo Montoya in The Prince Bride I know something they do not…I’m not left handed. In other words, I could have made them stronger but chose not to. Let me tell you why.

I hate series that start off fantastic, have a mediocre middle, and stay around long past their prime. So for me my eye was always on the prize of the last book. I carefully constructed the series by slowly building mysteries and exposing character backgrounds a little at a time. My world building is the proverbial iceberg and you are exposed to it organically through the eyes of the characters and in the context of the plots. My thought process was that if you start at the top you have nowhere to go but down, so I choose to start at the bottom and work my way up. My hope is that people will have enough fun along the way that they’ll give the next one a try.

It’s an interesting time for me right now because I’m having both my nationwide debut and my concluding volume hitting the street within just a few short weeks of one another…68 days to be exact. There are already many people who are expressing both excitement and impending disappointment because the series is ending, which brings me to the real point of this post…is there the possibility for more Riyria stories past Percepliquis?

The answer is…no…yes…maybe. No, because I won’t tack on another story. The series concludes exactly the way I want it to and I think (and hope) that upon reading most will agree with my decision. To try to add anything else would only cheapen and diminish Percepliquis and I won’t be a party to that.

Yes, because I never expected anyone to care, but it seems a few folks have taken a liking to Royce and Hadrian and will be sorry to see them go. My wife is one of those. Upon finishing Percepliquis, she fell into a two week depression because she missed her friends. To her they live in some netherworld in a state of suspended animation. “You can bring them back—make them live again—whenever you want to,” she said to me one day, with eyes that added, and if you really loved me you would. I’m pretty sure your average husband doesn’t get this sort of re-animation demands from their spouses—just me and Victor Frankenstein.

I can write other books and still keep my promise of leaving Percepliquis at its own apex. The two thieves were together for twelve years, before that cold autumn day when they set out to steal a sword and got themselves into so much trouble. I could go back in time, and write up some of their previous adventures—The Riyria Chronicles: Royce and Hadrian the Early Years.

I could also do spin-offs (but hopefully better than all those terrible sitcoms of the 70’s) The story of Novron (the God of Man) could explore how mythologies are created and reveal that everything did not occur the way the people of Elan thought it did. Also because I like buddy-stories I could tell the tale of Esrahaddon and Jerish who would be very different than Royce and Hadrian. The Novron books would be a trilogy, where the Esrahaddon story might be a long single novel.

Lastly, I have to admit that even seven years ago when I was alone in my room with no hope or any intention of publishing the stories about these two thieves, I did allow myself a moment of conceited optimism. I imagined a day when the books were read and loved and people wanted more. And because of this I planted a tiny plotline into the series. It is all but invisible to the reader, but it is there, a hidden thread that if I chose to, I could pull on to create a new series that is linked to the old. But that would be a huge undertaking, and I’m not sure I am up to trying that any time soon.

So maybe is the answer we are at right now. A lot will be determined in the next few months as Theft of Swords, Rise of Empire, and Heir of Novron hit the streets. If people like the books and want more I’d love to oblige. I know what my wife is hoping for, now I just need to know what everyone else thinks.

I want to thank the folks at Fantasy Book Critic for having me here today. This site has been one of the few selected to receive exclusive advanced copies of Percepliquis in December, so keep an eye out in January for first impressions of the final book.

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ABOUT MICHAEL SULLIVAN:

Official Michael Sullivan Website
Order Theft of Swords HERE
Read FBC Review of Theft of Swords
Read FBC Review of The Crown Conspiracy
Read FBC Review of Avempartha
Read FBC Review of Nyphron Rising
Read FBC Review of The Emerald Storm
Read FBC Review of Wintertide
Read FBC Review of The Viscount and the Witch

In the space of two years, Michael Sullivan has moved from a small press debut author who was featured in one of our first “Indie Spotlight Reviews” to a “name” in the fantasy field whose wonderful Ryria Revelations is being published by Orbit Books in three consecutive omnibuses starting with Theft of Swords, followed by Rise of Empire and concluded in Heir of Novron.


Fantasy Book Critic

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“Theft of Swords” by Michael Sullivan (Reviewed by Liviu Suciu)

Posted in Fantasy Literature on November 17th, 2011 by Admin

Official Michael Sullivan Website
Order Theft of Swords HERE
Read FBC Review of The Crown Conspiracy
Read FBC Review of Avempartha
Read FBC Review of Nyphron Rising
Read FBC Review of The Emerald Storm
Read FBC Review of Wintertide
Read FBC Review of The Viscount and the Witch

INTRODUCTION: In the space of two years, Michael Sullivan has moved from a small press debut author who was featured in one of my first “Indie Spotlight Reviews” to a “name” in the fantasy field whose wonderful Ryria Revelations is being published by Orbit Books in three consecutive omnibuses starting with Theft of Swords which is already out in stores as I saw last Sunday in my local B&N.

While I have reviewed the two books that form this omnibus close to their original small press publication, I am re-posting the reviews below with some additional thoughts about how the Orbit edition differs and how the series has gained by the tighter editing.

The most important difference is that the series debut, The Crown Conspiracy, has gotten a new first half-chapter that introduces the main two protagonists Hadrian and Royce outright.

But do not worry, even if you read the original edition and do not want to buy the omnibus, you can read this chapter for free as it is bundled with The Viscount and the Witch short story that functions as a series prequel set some 10 years earlier. Click on the link above and get the story and the first revised chapter of The Crown Conspiracy from the author’s site!

However there are more little touches that the new Orbit edition adds by a really close editing. When I got an advanced copy of Theft of Swords some months ago, I opened it just to take a look and read the revised first chapter as I have heard about that earlier. But once I started reading I could not put the book down despite that I have read both included novels a few times before and I ended up with a full read of the omnibus while in the process I started noticing that there were places where it flowed much better than the originals.

Went and checked with my 2008/09 copies and sure enough there were little differences here and there – most notably when the main heroes meet a character who for the obvious reason of being locked up in time stasis for close to a millennium, talks archaic – in the original the author mostly kept the archaic language consistent, but there were a few slips to modern and while they were minor, they still broke a little the narrative flow; in the omnibus everything is consistent.

Overall though the differences are minor in the 700 pages scheme of things, so go and enjoy the “mainstream” debut of this superb series!

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Original 2008 Review of The Crown Conspiracy:

INTRODUCTION: Michael Sullivan’s debut novel, “The Crown Conspiracy”—the first in a planned six-volume epic fantasy series called The Riyria Revelations—has attracted a growing following since its recent publication by indie publisher, Aspirations Media Inc. After reading an excerpt on Mr. Sullivan’s website, I decided to give the book a try and I have to say that I was pleasantly surprised by how much fun and page turning “The Crown Conspiracy” turned out to be…

SETTING: On the alternate Earth-like planet of Elan, the Novronian Empire of legend has sundered centuries ago into many different states. This was supposedly due to the machinations of the dastardly wizard and traitor Esrahaddon. The imperial Nyphron Church and its various loyalist nobles and knight orders have been looking for the mythical “Heir” to the Empire for almost a thousand years now. In the meantime, the kingdoms that coalesced on the Empire’s territory developed Nationalist movements of their own opposed to the Imperialist goals and the monks dedicated to the god Maribor that predated Empire and Church.

One such kingdom is Melegar, and when its ruling king is murdered, the young Crown Prince Alric and his older sister Arista—who would be Queen if her brother should die—are thrust into the limelight and a brutal struggle for power that may have much greater implications for the “big picture” than whoever governs a minor kingdom.

Archibald Ballentyne is a very ambitious second-tier noble from the neighboring kingdom of Ghent—not that he harbors any particular loyalty to “his” king—and is willing to do whatever shady deals he can to advance.

Royce and Hadrian are a freelance “object/documents” acquisition and recovery team. In other words, Royce is a skilled thief with a mysterious past while Hadrian is a very good fighter who excels with the sword and bow. Using an impoverished noble as a front man, they peddle their trade to the high & mighty and anyone that can pay, outside of the Protection/Underground Guilds extant in most towns.

Lastly, Myron is a noble born “nerdish” monk of Maribor whose abbey has the misfortune of incurring the wrath of powerful enemies…

FORMAT/INFO:The Crown Conspiracy” stands at 296 pages divided over ten named parts, each subdivided into several numbered chapters. Included at the beginning of the book is a map which is also available on the author’s website, as well as a table of contents. The action takes place mostly in the novel’s present-tense and is narrated in the third-person via several POVs, most notably Royce and Hadrian, with Archibald, Myron, Alric and Arista having good chunks of face time too. The ending is very good, wrapping up the main threads of the novel, but as with any opening volume in a series, the big-picture events are just now starting to impact our heroes.

October 1, 2008 marks the Paperback Publication of “The Crown Conspiracy” via Aspirations Media Inc. Cover art is provided by the author himself, Michael Sullivan.

PLOT HINTS AND ANALYSIS:The Crown Conspiracy” starts with a caper in Archibald Ballentyne’s castle and stays on a roll from there to the end. We first meet Royce and Hadrian when they frustrate one of Archibald’s machinations—which they originally helped get started by stealing some letters—but what’s better than getting paid again even more handsomely to restore those very same letters to their rightful owner?

Of course this kind of double-cross dealing with the high & mighty comes with a risk as Royce and Hadrian find themselves framed and imprisoned to be tortured and executed for the death of the King of Melegar, which they believed was a lucrative “mercy” job for an endangered noble. Luckily, Princess Arista—for reasons of her own which may or may not be the selfless ones she claims—helps them escape with the new King Alric in tow as a hostage/protégée.

Embarking on a journey to find the mythical wizard Esrahaddon—who supposedly still lives after almost a thousand years imprisoned in a hidden prison built by dwarves and is the only one who can help AlricRoyce, Hadrian and the new king hooks up with Myron whose knowledge of arcane rituals and ancient text is important to their quest, while Arista remains behind as Queen Regent of Melegar. Or perhaps, she plans on killing them all in secret and becoming the rightful Queen of Melegar

While Royce and Hadrian start off as stereotypical fantasy characters—a thief and a fighter—that we see in so many genre novels, as we slowly get to know them, they start to develop a distinctive identity of their own. And that is also true of the other main characters Alric, Arista and Myron who all grow with the unfolding events, while the rogue Archimbald is great fun in all of his appearances. There are several other notable characters as well, but I don’t want to give out any more spoilers…

In conclusion, “The Crown Conspiracy” is great fun and a romp end to end. It’s a very fast read and I finished it in one sitting. Its characters grow on you and the series has great potential to develop since Book One only explores a relatively small part of the wonderful imagined world of Michael Sullivan, and I am really looking forward to reading Book Two, “Avempartha”, out in April 2009.

Highly recommended and another positive surprise for 2008, I hope Mr. Sullivan enjoys the success he deserves and that we get to see all of the planned volumes in The Riyria Revelations

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Original 2009 Review of Avempartha

INTRODUCTION: Michael Sullivan’s debut novel, “The Crown Conspiracy”—the first in a planned six-volume epic fantasy series called The Riyria Revelations—has attracted a growing following. I read and reviewed the book last November:

In conclusion, “The Crown Conspiracy” is great fun and a romp end to end. It’s a very fast read and I finished it in one sitting. Its characters grow on you and the series has great potential to develop since Book One only explores a relatively small part of the wonderful imagined world of Michael Sullivan”.

Needless to say, when I received an ARC of “Avempartha”, I was quite eager to see if the book would live up to the expectations raised by Mr. Sullivan’s marvelous debut. I am happy to report that not only did “Avempartha” meet expectations, but it took the series to another level, ensuring that the future installments will be must-reads…

The Crown Conspiracy” was essentially a standalone with hints of the larger picture, while “Avempartha” goes straight into the deeper issues of Mr. Sullivan’s richly imagined universe and reads more like a series opener than a second volume. The following review is mostly independent of “The Crown Conspiracy” one and contains very few series spoilers.

SETTING: On the alternate Earth-like planet of Elan, the Novronian Empire of legend has sundered centuries ago into many different states, supposedly due to the machinations of the dastardly wizard and traitor Esrahaddon. For almost a thousand years now, the imperial Nyphron Church and its various loyalist nobles and knight orders have been looking for the mythical “Heir” to the Empire, a person of Novron’s bloodline and supposedly the only one capable of passing secret tests jealously guarded by the Church.

In the meantime, the kingdoms that coalesced on the Empire’s territory developed Nationalist movements of their own opposed to the Imperialist goals and the monks dedicated to the god Maribor that predated Empire and Church. One such kingdom is Melegar and young King Alric has a problem: his older sister Arista is restless, does not want to marry and settle down, and has developed a reputation as a ‘witch’ for being a student of Esra. Since Arista helped save Melegar from the clutches of usurpers, Alric owes her his life, and sends her on an important mission. But he also sends the high ranking Bishop Saldur as an “advisor” who has designs of his own.

Royce and Hadrian are a freelance “object/documents” acquisition and recovery team. In other words, Royce is a skilled thief with a mysterious past while Hadrian is a very good fighter who excels with a sword and bow. Using an impoverished noble as a front man, they peddle their trade to the high & mighty and anyone that can pay. But because they have now attracted the attention of the powerful, they are thrown into the middle of the “great game”.

On the edge of empire, the long-lived but slow-reproducing elves are watching. While the elvish mixed-blood population living in human territory are stereotyped, oppressed and mistreated, the pure-blooded elves retreated millenia ago beyond the border river Nidwalden, and only the abandoned castle of Avempartha remains as a reminder that they are still there, waiting for any sign of human weakness.

The village of Dhalgren technically breaks the human-elvish treaty by being too close to Nidwalden, but it has not been bothered for many years. However, a monstrous being has recently started terrorizing the village and killing its inhabitants indiscriminately.

When a strange armless man called Esra shows up at the village followed by tragedy, Theron’s surviving daughter Thrace is sent to the main city of Colnora to enlist the help of Royce and Hadrian

FORMAT/INFO:Avempartha” stands at 332 pages divided over fifteen titled chapters. The narration is in the third person and takes place into the present of the novel. The main POVs are Royce, Hadrian, Arista and Thrace with Esra stealing the show whenever he makes an appearance. There are other secondary returning characters from the first novel, most notably the dwarf Magnus and the brothers Pickering, Mauvin and Fanen, but the foppish villain I loved to hate, Count Archimbald, is missing. Instead, we get the chilling “Sentinel” Guy. The ending is excellent and solves the main issue of the plot, but this time there is a huge ‘To Be Continued’ sign, so I eagerly await the next installment. April 1, 2009 marks the Paperback Publication of “Avempartha” via Aspirations Media Inc. Cover art is provided by the author himself, Michael Sullivan.

PLOT HINTS AND ANALYSIS: One thing I really loved about “Avempartha” were the superb naming conventions. Quite a few times in sff novels, the names are grating or at best annoying or silly-sounding, and usually I’m happy if they are not too noticeable. In “Avempartha” though, I truly loved how the names sounded with Thrace and Arista pairing very nicely with Royce and Hadrien, while Guy, Saldur, Thomas, Theron and Gilarabrywn are names that evoke both wonder and terror. The names of places like Colnora, Dhalgren, and Nidwalden also roll nicely off the tongue and add to the novel’s depth…

After a superb re-acquittance with Royce and Hadrian in the first several pages, “Avempartha” actually continues more as a series opener with a ton of build-up in the first half of the novel, while the second half is just superb non-stop action, especially when the two threads following Royce, Hadrian and Princess Arista respectively converge at the elven castle…

Meanwhile, the slow unfolding of secrets and tapestries weaved over the centuries since the fall of the Empire—and possibly even before—is very well timed, and there are some unexpected twists and turns, though we also start seeing a little bit of the big-picture outline. In particular, the Imperial succession which clearly dates back to the murder of the last emperor and the possible elvish threat that goes back to the times of legend well before the Empire even existed.

Of the main POVs, Arista, Hadrien and Royce stay in character from “The Crown Conspiracy”, but are written with much more detail and depth, while Thrace is a great addition, bringing an “innocent, regular girl” perspective that contrasts nicely with the other characters. I particularly liked the reintroduction of Magnus and his cynical dialogue and wordplay with Royce who still wants his head for obvious reasons.

Overall, I really loved “Avempartha”. In fact, I immediately re-read “The Crown Conspiracy” the next day to try and catch any little details I might have missed the first time, and I definitely recommend reading the first book again for added depth. In short, “Avempartha” is highly, highly recommended and a novel that raises Michael Sullivan’s The Riyria Revelations to “major league” status…

Fantasy Book Critic

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Book Notes – Michael Hearst (“The Recipe Project”)

Posted in Pop Literature on October 13th, 2011 by Admin

In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book. Previous contributors include Bret Easton Ellis, Kate Christensen, Kevin Brockmeier, George Pelecanos, Dana Spiotta, Amy Bloom, David Peace, Myla Goldberg, and many others.

The Recipe Project is one of the year’s most ambitious books, combining interviews, essays, and recipes with a music CD to wondrous results. Chefs (including personal favorites Isa Chandra Moskowitz, David Chang, and Mario Batali) contribute essays, interviews, and occasionally music playlists, writers like Michelle Wildgen and Kara Zuaro share entertaining essays on food, and the band One Ring Zero (a duo consisting of Michael Hearst and Joshua Camp) sets the featured recipes to music, word-for-word, on the included CD. The project’s combination of food, writing, and music works on every level.

The Denver Post wrote of the book:

“Take one edgy indie-rock band. Add a handful of celebrated chefs. Add music, and a handful of the country’s best food writers. The result? “The Recipe Project,” a collaboration recipe book, essay collection and CD combo from the band One Ring Zero and chefs including Mario Batali and David Chang. Each song is a musical adaptation of a recipe. Silly and smart all at once, a good gift for your musical foodie friends.”

Stream a Spotify playlist of these tunes. If you don’t have Spotify yet, sign up for the free service.

In his own words, here is Michael Hearst’s Book Notes music playlist for the book, The Recipe Project: A Delectable Extravaganza of Food and Music :

We started working on The Recipe Project nearly five years ago. The idea was simple enough—ask our favorite chefs for recipes, set them to music, and sing them word for word. Totally absurd, and fun. As it turned out, however, this project was one of the more difficult challenges we’d ever faced. There is nothing simple about setting a recipe to music. To boot, we asked the chefs what style of music they liked, and then attempted to come up with a song to fit. For Michael Symon, we wrote a heavy metal song, for Chris Cosentino, a rap song, for Mario Batali, a tarantella, for Isa Chandra Moskowitz, an indie rock tune. The project reached its pinnacle of complexity when chef Aarón Sanchez requested a banda song for his two-page recipe for Duck Breast with Duche de Leche Ancho Chili Glaze. Nonetheless, we put our best gringo feet forward. You’ll have to buy the book/cd to hear the result.

Here are some songs I listened to along the way; sometimes for inspiration, and sometime because I was test-cooking one of the recipes, and I simply needed dinner music.

1. Esquivel & His Orchestra – “Music Makers”

Juan Garcia Esquivel is the king of 1950s and 60s space-age-pop. Perfect dinner music! — that is if you like lounge, and girls constantly singing zzzzz sounds. I do.

2. Tanya Donelly – “New England”

3. Breeders – “Fortunately Gone”

Post Punk Kitchen vegan chef Isa Chandra Moskowitz told me she liked “90′s girl rock,” in particular bands like The Throwing Muses and The Breeders. My dear friend Claudia Gonson (of the Magnetic Fields) was kind enough to put me in touch with Tanya, who was in both of those bands (as well as Belly). To my surprise, Tanya was willing to sing a song with lyrics including “Spinkle on the peanuts…” I actually listened to a lot of Throwing Muses and Breeders back in the 90s. And now I’m hooked on it once again. In fact, Tanya has asked me to play with her in her band. We have two shows coming up. Sprinkle on the peanuts!

4. David Byrne – “Everyone’s In Love With You”

This is one of those songs that I listened to for several years before I suddenly paid attention to the lyrics. It might be one of David Byrne’s most masterful masterpieces. So great that he’s still putting out listenable music. Thank you, Mr. Byrne.

5. Duke Ellington – “All Too Soon”

When I was at VCU in the 90s, I took a jazz arranging course with Doug Richards. Doug had a number of sayings, which will forever stick with me. One of them was (in a cool jazz cat voice),”…now don’t get me wrong, I like your Frank Zappa and your David Byrne…” He always prefaced non-jazz with the word “your.” Another Doug Richards quote is, “If you ain’t listenin’ to Duke Ellington at least once a day, you’re jiving yourself.” I guess I jive myself on a regular basis, but I do like to listen to a lot of the Duke.

6. The Magnetic Fields – “I Was Born”

David Chang said he loved Pavement and The Magnetic Fields. It was a no-brainer to ask Claudia to sing his song. We did our best to make it sound like a mash-up of TMF and Pavement, which essentially meant having Claudia sing a simple, pretty song with way too many electric guitars.

7. Enrico Caruso – “I Lombardi, Act III: Qual Volutta Trascorrere”

Mark Kurlansky told us he wanted a sonata for his “Recipe For A Raw Peach.” (Yes, his recipe is simply how to properly eat a peach.) I am the proud owner of a 1920′s phonograph. One of the 78s I keep on the phonograph is song sung by Caruso. I imagined Kurlansky’s recipe sung in a Caruso-ish voice over sonata-ish music. We even sampled the sound of the needle resting on the 78 and used it in the recording.

8. Beastie Boys – “Putting Shame In Your Game”

It’s true: Chef Chris Cosentino is my brother-in-law. He was instrumental (pun intended) in getting the ball rolling for The Reicpe Project. Chris loves white-boy hip hop. In 1998, Chris was a chef at The Coach House on Martha’s Vineyard. I visited him and my sister, Tatiana, several times that summer. I specifically remember driving to the record store with Chris and waiting in line so he could buy Hello Nasty on its release day.

9. Banda Maguey – “Mataste Mi Confianza”

A couple years ago my girlfriend and I were in Tulum, Mexico on vacation. One day we walked around the “down town” section of the city, away from the tourist stretch. A man was selling cassette tapes on the sidewalk. We had a rental car with a cassette deck. Perfect! I purchased a Banda Maguey cassette, and we listened to it over and over again for the next week while driving around the Yukitan. The tape proved to be a good reference for Aarón Sanchez’ song.

10. France Gall – “Bébé Requin”

The digital version of The Recipe Project has four bonus tracks. One of them is a recipe for a cookie called “Speculoos” (yes, I know what you are thinking) by the amazing Pastry Chef, Hubert Colson. The recipe is in French, therefore we had our friend Allyssa Lamb sing it in French. I knew right away the song should sound something like France Gall. I’m not sure we succeeded … other than the French part. I adore this particular France Gall song (written by Serge Gainsbourg). It’s so ridiculously catchy and fun. And it’s about a baby shark!

Michael Hearst and The Recipe Project: A Delectable Extravaganza of Food and Music links:

Michael Hearst’s website
Michael Hearst’s Wikipedia page
the book’s website
One Ring Zero website
One Ring Zero Facebook Page
One Ring Zero MySpace page
One Ring Zero Wikipedia entry
video trailer for the book

Bon Appetit review
The Epi-log review
Noise review
The Record review
The Zen Kitchen profile of participating chef Andrea Reusing

Largehearted Boy interview by Michael Hearst with Mary Roach

also at Largehearted Boy:

other Book Notes playlists (authors create music playlists for their book)

52 Books, 52 Weeks (weekly book reviews)
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Largehearted Word (weekly new book highlights)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily music, literature, and pop culture links)
Soundtracked (composers and directors discuss their film’s soundtracks)
Try It Before You Buy It (mp3s and full album streams from the week’s CD releases)
weekly music & DVD release lists




Largehearted Boy

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“Wintertide” by Michael Sullivan (Reviewed by Liviu Suciu and Cindy Hannikman)

Posted in Fantasy Literature on January 6th, 2010 by Admin


Official Michael Sullivan Website
Order “Wintertide” HERE (print) or HERE(Kindle)
Read FBC Review of The Crown Conspiracy
Read FBC Review of Avempartha
Read FBC Review of Nypron Rising
Read FBC Review of The Emerald Storm

INTRODUCTION:In the space of two years, Michael Sullivan has moved from a small press debut author that was featured in one of my first “Indie Spotlight Reviews” to a “name” in the fantasy field who sold-out his first novel and is getting both critical acclaim and fan appreciation. In my 2009 end-of-the-year rankings, Avempartha went head to head against the “big names” and made both my Top 2009 Books list and Cindy’s Top 2009 Book list, while The Crown Conspiracy made Mihir’s Top 2009 Reads too.

“Nyphron Rising” started the epic part of the series which had a lot of ground prepared in The Crown Conspiracy and Avempartha two mostly standalone adventures, while in “The Emerald Storm” the series ramped up considerably and the world expanded; the twist ending made “Wintertide” one of my top titles of the second part of the year. So very high expectations, but even so I was not prepared for the punches that Wintertide pulls which left me in need of complete reread of all five books to get an inkling where the series might be going in its finale…

FORMAT/CLASSIFICATION:“Wintertide” stands at about 330 pages divided into 21 named chapters that follow several main POV’s: Hadrian, Royce, Arista and Amilia, the lady in waiting and “mouthpiece” of Empress Modina as well as a young street kid Mince who is a new character. All the colorful characters from previous novels like Regent Saldur, Sentinel Guy, Archie, Marius reappear and there are several other characters that grow in importance here. The novel starts with two detailed maps of the world and ends with the most emotional and twisty chapter of the series so far.

While “Nyphron Rising” started getting into the heart of the main story of the series and The Emerald Sea thickened the plot and expanded the world, Wintertide returns to the heart of the action in the Imperial capital of Aquesta, where the two regents are preparing to celebrate the marriage of an Empress and the rebirth of an Empire with the burning of a witch as closing entertainment.

As its two predecessors from the heart of the series, “Wintertide” is adventure fantasy in an epic context.

OVERVIEW/ANALYSIS: Liviu:”‘Black queen takes king. White rooks retreat. Black queen captures bishop. White rook to bishop’s four, threatening. Check. White’s pawn takes queen and bishop. Jade’s tomb, full face.”

While a bit spoilerish at least if you know what the above means, the paragraph quoted is something that makes a book worth reading by itself; of course getting there and understanding it takes a while and Wintertide has much more, from action, to intrigue, to heart-breaking drama and a lot of subplots closure. The big picture becomes even more intriguing since quite a lot of assumptions are challenged by the end of the novel. And there is only one more installment to go…

Since it is book 5 and I strongly recommend reading at least the previous two installments to fully appreciate this one, the only thing I will mention about the story is that as opposed to the world expanding The Emerald Storm, Wintertide returns to a more compact geographic location and urban/castle action including a knight tourney that offers quite a lot of comic relief to the tension buildup as Wintertide (the event) gets closer and closer.

The dramatic ending of the novel made me go back and reread books 1-4 for clues about where the author may take the series in Percepliquis, and I made a big list of “things to watch for/possibilities” but the one thing I am sure of is that the series ending will be one of those “put down everything and read immediately” novels.

Wintertide (A++) is the second top-rated combo (with The Emerald Storm) of 2010 for me and establish the series as one of the best traditional epic fantasies currently being published and a top 10 novel of mine.

Cindy: After completing Emerald Storm I wanted the next book right away. After a few months of waiting the wait is finally over. One thing about authors is that they make you wait and wait for books and then you get the book and there’s a feeling of let down. Let me assure you if you’ve been following this series at all you won’t be let down.

At this point in the series we’re so far into it that it’s hard to do an analysis of the plot and characters because part of the appeal for the series is the growth of the characters and plots as you read.

Wintertide is everything that I’ve come to love and expect about anything written by Sullivan. It has all the characters that I’m familiar with. After having them fleshed out a bit in the previous book everything just seemed to flow and come together.

There is a sense of more to come, yet Wintertide has a feeling of the end is almost near. While reading I was impressed with everything but at the same time I couldn’t shake the feeling that this series that I have come to love is starting to wind down.

Without being all dramatic the ending will keep you hanging and waiting for the next book.

Like Liviu I really feel that this is one of those series that has a place in the fantasy world. I know it’s a series that I will gladly be returning to time and time again. Sullivan has earned my respect and admiration with all the work that he’s achieved and I can’t wait to see what he pulls out of his hat for the final book. If these past few books are any indication I’m sure it’ll be a memorable ending. Well worth the read and time to look into the series and the next book is a must read for myself!

Fantasy Book Critic

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