Fading Light: An Anthology Of The Monstrous edited by Tim Marquitz (Reviewed by Mihir Wanchoo)

Posted in Fantasy Literature on September 12th, 2012 by Admin
Order the Anthology HERE
Read FBC’s Review of Armageddon Bound 
Read FBC’s Review of Resurrection 
Read FBC’s Review of At The Gates 
Read FBC’s Review of Echoes Of The Past 
Read FBC’s Interview with Tim Marquitz 
EDITOR INFORMATION: Tim Marquitz is the author of the Demon Squad series, and the Sepulchral Earth serial stories. He is also an editor, a heavy metal aficionado, a Mixed Martial Arts fan, and is also a member of the Live Action Role Playing organization. When he’s not busy writing dark stories, which catch his imagination he also manages to go about his day job. Tim lives in El Paso, Texas with his wonderful family. 
OVERVIEW/ANALYSIS: This anthology was something I was looking forward to because it played with the apocalyptic themes along with horror genre, both of which fascinate me entirely. The blurb can be read here and I’ll be speaking about each story as it will be in line with the previous anthology FBC reviews and simply helps in elucidating what I liked and disliked about each story (apologies in advance for its length). 
Parasitic Embrace by Adam Millard - It’s a tale that begins a volcanic eruption in Spain that causes chaos on a global scale. Amanda is worried about her mother when the cloud reached the British Isles and they discover that there’s something within that is much more deadly. This was a simple short story whose premise will be very familiar to most horror readers. It is a decent story that does not surprise much and ends rather suddenly. I thought it was an okay story and in line with the theme of the book. 
The Equivalence Principle by Nick Cato - This was another strange story about a guy named Steve Burke who has a strange belief about the earth’s gravitational force. This story has a dual narrative with the identity of the other being left up to the reader to decide. This story was a bit weird but kudos to the author for twisting his imagination and bringing about end of humanity in a way that’s almost never thought of. 
A Withering of Sorts by Stephen McQuiggan - The story begins with a travelling family that stops at a bar looking for a hotel. The father and mother however have no idea where they are and the barkeep along with his customers are only too happy to divulge why strangers are not welcome in their town especially children. This was the first story that I really enjoyed and one, which deviates from the theme to a certain extent. 
Goldilocks Zone by Gary W. Olson – Amita Prasad is enjoying the buzz of a drunken evening when she realizes that the stars have disappeared. Slowly and surely things start disappearing or re-forming (if that’s a better word). Everyone transforms into something else. This story was a very weird one and I couldn’t gel with it at all. It was perhaps too bizarre for my tastes and its reception will depend on each reader’s preferences. 
They Wait Below by Tom Olbert - This story was first of the several excellent ones of the collection. It begins with Corby, an ecological inspector narrating the past events occurring at an oil-rig. The hazards he had to face and the terrors he saw have lead him to doubt what is truly happening. This story was a zinger very much in line with the book theme and has shades of John Carpenter’s The Thing, this tale ends on a nice twist and is the first standout jewel of this collection. 
Blessed Be the Shadowchildren by Malon Edwards - The story carries on the excellence of its predecessor. It’s a story within a story, with the first thread about Levi, the narrator and his friend Lali trying to find something in a land wherein the sun is dying. The second thread deals with the reason for the sun’s death and the hubris of the god who caused it. A twisted story and very well written by Malon Edwards, this story was another one that took the book theme and played it out to a different tune. 

The Beastly Ninthby Carl Barker - This was the first historical story in this collection and deals with the battle between the French and English. Napoleon has returned to France after escaping from his island prison and the person chosen to stop him, is the Duke of Wellington Lord Arthur Wellesley. This story was just an all out hit with me, drawing upon history and mixing it with the supernatural, the author really surprised me with the end twist as well. This is a story, which I hope the author decides to write more about and give us a longer story. 

Late Night Customer by David Dalglish – David Dalglish is usually known for his dark fantasy tales and it’s no surprise that he has a hankering for horror. The story is set in a diner wherein the protagonist waitress Darcy Evans meets a hassled traveller Brad who’s running from something that catches up with him in the diner. A fast paced and dark story with an ending similar to the first Terminator film but one that is way way more pessimistic. 
Rurik’s Frozen Bones by Jake Elliot – This is the second of the historical tales and this is set in Scandinavia in the early 9th century AD. The story is narrated by Rurik, who after his most recent sea experience, refuses to go back. He recalls the past to Oslo the Boarstout. This story had a good thriller feel and ends on an uncertain note. Not among my favorites but still a very good effort. 
Wrath by Lee Mather – Wrath is a story that deals directly with the apocalypse. Steven is a recovering alcoholic that just wants to reunite with his son who has been with his brother’s family so far. Playing with themes of family and biblical curses, this story was another surprise and one that ended on a rather twisted note. A decent effort and a story which will be either liked on ignored depending on the reader’s tastes. 
Friends of a Forgotten Man by Gord Rollo - This story for me was one of the creepiest ones I have ever read in my life. It features a man imprisoned in a subterranean basement, who is perhaps losing his sanity entirely and thinks of the leeches and insects around him as his friends. Things however are weirder than they seem as the story proves. This was another deviation from the anthology’s theme but the story was just so powerful in its horror that I didn’t mind at all. Just a word of caution for all those who aren’t overtly fond of leeches or creepy-crawlies this story is not for you. 
Altus by Georgina Kamsika – Susan Mason is an oceanographer, who has been given a chance to go where no human has gone before. The Altus is a free-diving submersible that has been specially prepared to go into the Marianas Trench. What doctor Mason finds down below is the crux of the story. This story was a bit similar to the MEG series by Steve Alten. A decent effort but with a predictable ending didn’t do well for this story. 
Angela’s Garden by Dorian Dawes – Angela’s Garden is a pleasant surprise of a story. It is another deviation from the book’s theme and reminded me a bit of Stephen King’s short stories and his book The Green Mile. Angela Bradshaw is a older lady abandoned by her family and she has some extra powers. She’s trying to avert a disaster that can take place. This is one of the best stories of this collection as it provides us with a remarkable character, who is an older lady and yet shows spunk. This story came close to being my favorite one among this entire collection simply based on the strength of its main character. 
The Long Death of Day by Timothy Baker – This story is about John and his beloved Selena who are rather distraught at the approaching darkness and have to figure out what’s wrong with their relationship. This story was more of a downer for me as it focused more on the characters and they weren’t that interesting IMO. The story sticks to the overall theme of the anthology though. 
Out of the Black by William Meikle – This was another of the very good stories of this collection. Three hundred and fifty years after the sun dimmed, life on earth has irreversibly changed. The unnamed narrator is sent out to find out the required ore and soon stumbles upon a subterranean center. To his horror what he finds, also follows him thereby echoing Nietzsche’s famous saying about an abyss. This was another story, which opened up in an exciting manner but fizzled out in the end. 
Degenerates by DL Seymour – Degenerates was a surprising story. Set in 1968 in the small town of Dunwich, Diana Collins is the teacher who moves into the town, as she’s impressed with the mayor’s plan for racial integration. She however starts noticing a curious pattern of disappearance among the children that she teaches and soon add things up. The crux of this story is not hard to anticipate but its final twist will surely leave many surprised. Another good story and an excellent indicator about the pedigree of this anthology. 
Dust by Wayne Ligon – Dust is a story that straddles the fine line between SF and fantasy and does it best to appease fans of both genres. It’s about an unnamed narrator and his grandmother, both of whom are on the Oregon coastline and are trying to figure out what might be truly happening. An odd story that reminded me of the mythology showcased in the Hellboy universe but distinct in its own way. Another good effort with a somber ending.  
Der Teufel Sie Wissen by TSP Sweeney – The title of the story translates to “The devil you know” and is another historical story. This one is set in Nazi Germany and features a group of youths trying to gang up on their quarry, only to realize that they have no idea about what is truly going on. This was another of the fantastic short stories and one, which I believe the author should think of expanding into a longer novel. With an ending that is not only superb but also promises of further tribulations. This story left me wanting to know more of the world within and war to come… 
Born of Darkness by Stacey Turner - Another contender for the favorites title, this story strongly follows the main theme of the anthology. The story focuses on the family of Jeb & Cassie and his mother Sarah. They are surviving on their own when they when a young girl comes to stay with them. What happens next is what makes this story special. I completely enjoyed this story and this almost seems like a chapter out of a book as the way it ends, the reader WILL want to know what happens next. Possibly my second favorite story because of the characterization and the mythological aspect of the story, this one is a gem! 
Lottery by Gene O’Neill – Lottery is a rather shorter story, sharing its name and premise with the famous short story by Shirley Jackson. The author has inserted his own twist over here and this story deals with more of the paranormal. However it ends abruptly and no explanation is given in regards to the events. This was one of the weaker stories of the collection because of its ending and the incompleteness it fostered. 
Where Coyotes Fear to Tread by Gef Fox – This story is definitely my favorite among this collection. It focuses on two people, Lester and his ex-girlfriend, Carla who are forced to unite and save their town Knoxville from something that’s out of their comprehension. Again with a terrific mythology utilized and funny characterization, this story simply shines. This also felt part of a greater story and I sincerely hope that the author considers writing the next part to this tale so I and other readers can find out what happens next. Having a very original premise and with some terrific writing, this story is truly the best of this collection. 
The Theophany of Nyx by Edward M. Erdelac – The Theophany of Nyx was a highly anticipated story for me as it was written by Ed Erdelac whose previous short story (that I read) was a spectacular one featuring zombies, samurai in a Japanese prison. This danger in this story is primordial in origin and begins with the disappearance of the first lunar colony ever built. The story deals with the notion of what happens when another species tries to fight all the carbon based forms for its survival. A very academic tale (if that’s the term) but an effective one, Ed Erdelac showcases his weird imagination and gives us another intriguing story. 
Double Walker by Henry P. Gravelle – Dr. Maria Dobbs’s newest patient Benedict is accused of the murder of his parents but he denies it and says his shadow did it. This story is focused on what could have happened as the protagonist tries to ferret out the truth. This story was an interesting one however the execution and ending didn’t really endear itself to me. 
Light Save Us by Ryan Lawler – Ted makes sure the generator keeps running as otherwise the compound’s boundary will be over run by the creatures outside. In a recent attempt to get the machine from stopping, Ted will face homophobia, his lover Gray and much more. This story was an interesting one with shades of the Village to it but the author does his best to trip the readers by focusing the story solely from Ted’s POV. Another very good story  with a very good end twist. This one should appeal to lots of readers. 
Dark Tide by Mark Lawrence – Dark Tide is the story of something which has been trapped in the earth’s surface but has recently got out due to human experimentation. Focused on a family as they attempt to survive what they do not understand. Dark Tide focuses on the bonds of family and what happens when they get stretched. An excellent ending to this monster anthology and it ends on a bang as the story’s climax leaves the reader with hope that anything is possible! 
CONCLUSION: As you can see with the overtly lengthy review, this anthology definitely has something for all horror, post-apocalyptic story aficionados. Tim Marquitz has skillfully garnered a veritable host of stories to outwit and outthink the most jaded readers. I thought there were some great stories in this mix namely the ones by Gef Fox, Dorian Dawes, Stacey Turner, Malon Edwards, Carl Barker, TSP Sweeney and Gord Rollo. These ones stood out for me, not that the others were bad, I’m sure different readers will like different ones. Give Fading Light a shot if you want to read something different, you can be assured that you will not regret it!
NOTE: There is a companion piece to this anthology and I’ll be reviewing that next week on Bastard Books.

Fantasy Book Critic

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Book Notes – Rob Jovanovic “Seeing the Light: Inside the Velvet Underground “

Posted in Pop Literature on April 20th, 2012 by Admin

In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.

Previous contributors include Bret Easton Ellis, Kate Christensen, Kevin Brockmeier, George Pelecanos, Dana Spiotta, Amy Bloom, David Peace, Myla Goldberg, Heidi Julavits, Hari Kunzru, and many others.

Rob Jovanovic’s new book Seeing the Light: Inside the Velvet Underground is the most thorough history of the band I have read, a definitive exploration of both their music and iconic members.

Publishers Weekly wrote of the book:

“In this moving tribute and first-rate history, rock journalist Jovanovic gives us an absorbing chronicle of the Velvet Underground’s rise to fame, its bitter arguments, and its unparalleled musical genius.”

Stream a Spotify playlist of these tunes. If you don’t have Spotify yet, sign up for the free service.

In his own words, here is Rob Jovanovic’s Book Notes music playlist for his book, Seeing the Light: Inside the Velvet Underground:

Many writers listen to music while working, and when I’m writing about a band I listen to little else for weeks at a time. Sometimes it takes me years before I can go back and listen to that band just for pure enjoyment, and in a couple of cases it’s ruined my ability to enjoy that band ever again. Luckily that wasn’t the case with the Velvet Underground. Here are some songs.

1. R.E.M. – “There She Goes Again”

When I heard my first Velvet Underground song I didn’t even know it belonged to them. I was getting into R.E.M. in the mid-1980s and they’d often cover Velvet’s songs like ‘Pale Blue Eyes’ and ‘Femme Fatale’. When they included these and ‘There She Goes Again’ on their 1987 compilation of odds and ends, Dead Letter Office, I decided I had to seek out the original recordings and have never looked back.

2. Velvet Underground – “I’m Waiting for the Man”

Like any long project, writing a book has ups and downs. Sometimes the words would flow easily, some days it was a real struggle. While working on Seeing the Light, I’d sometimes use this abrasive, unrelenting track to shake me out of any lulls and get me back to my keyboard. It always works, I just put it on to help me finish this list. You should try it.

3. Velvet Underground – “Venus in Furs”

In 1993, around the time that the Velvet Underground briefly reunited, a Dunlop tyres TV advertisement was aired using the slogan “Tested for the unexpected” with this track as its soundtrack. The choice of track was unexpected to say the least. It carried some of the band’s most blatant sexual imagery and was now on mainstream TV, showing just how far the boundaries had shifted in popular culture since the Velvet’s time.

4. Velvet Underground – “Who Loves the Sun”

Some people forget, or choose to forget, that the ‘classic’ VU line-up of Reed / Cale / Morrison / Tucker lasted for only two of the band’s four core albums. While it’s true that the experimental nature of the band changed when Doug Yule replaced John Cale, he certainly added pop craft and in this case the vocals for the opening track on Loaded. Today at least, that’s my favourite VU album, and Yule’s contribution is forever underestimated.

5. Velvet Underground – “I’m Sticking with You”

Everything I’d read was true. Moe Tucker was one of the nicest people in music. When I talked to her for the book I was surprised to hear that she’d almost been too shy to sing this track and had insisted that everyone else leave the studio when she finally agreed to do so. In her comeback years she toured Europe as the leader of her own band. Quite a transformation and quite a lady.

6. anything by The Bizarros

When Sterling Morrison walked out on the band, he managed to perform one of rock and roll’s great disappearing acts. For years no one outside his close circle of friends seemed to know where he was. It later emerged that he was studying and teaching in Texas and had been playing in blues bands at the weekend. His widow, Martha, sent me a couple of CDs of his post-Velvets music and any track from his band The Bizarros would have to get a place in this list.

7. The Replacements – “Alex Chilton”

Not a Velvets song, or cover, in fact it doesn’t really have anything to do with the Velvets. Except this: Alex Chilton could be a wily and difficult person to deal with, he did things his way and sometimes without an obvious reason. Then Paul Westerberg came along and wrote this song, which kind of made Chilton seem more human, in a distorted way. Someone should do the same for Lou Reed. No, really.

8. Beck- “Sunday Morning”

In 2009, Beck gathered a selection of musicians together and covered the entirety of the Velvet’s debut album live in the studio. This version was a beautifully bare and eclectic take on the original recording. Beck’s grandfather and mother had both spent time at Andy Warhol’s factory in the 1960s and this cover brought the family connection full circle.

Rob Jovanovic and Seeing the Light: Inside the Velvet Underground links:

A.V. Club review
Boston Globe review
Houston Chronicle review
Publishers Weekly review
Wall Street Journal review

Publishers Weekly review

also at Largehearted Boy:

other Book Notes playlists (authors create music playlists for their book)
my 11 favorite Book Notes playlists

List of Online “Best Books of 2011″ Lists
List of 2011 Year-End Online Music Lists

100 Online Sources for Free and Legal Music Downloads
52 Books, 52 Weeks (weekly book reviews)
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Largehearted Word (weekly new book highlights)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily music, literature, and pop culture links)
Soundtracked (composers and directors discuss their film’s soundtracks)
Try It Before You Buy It (mp3s and full album streams from the week’s CD releases)
weekly music & DVD release lists




Largehearted Boy

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Book Notes – Melanie Rae Thon (“In This Light: New & Selected Stories”)

Posted in Pop Literature on May 25th, 2011 by Admin

In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.

In This Light: New & Selected Stories‘s In This Light: New & Selected Stories is drawn from her 20+ years of writing. Thon draws gritty portraits of people living on the edge of society, gracefully moving from past to present, and always with glimpses of beauty to balance against the darkness of these tales.

The New York Journal of Books wrote of the book:

“What is most striking about Ms. Thon’s short stories is her voice; her lyrical prose and remarkable ability to capture the voices of others is impressive. Ms. Thon masterfully constructs images that perfectly reflect her different narrators’ language and environments. “

In her own words, here is Melanie Rae Thon’s Book Notes music playlist for her short story collection, In This Light: New & Selected Stories:

Playlist: “Tu B’Shvat: for the drowned and the saved” from In This Light: New & Selected Stories

I entered “Tu B’Shvat” in February 2001 and emerged in November 2005. The final year of composition was pure rapture, an immersion in the music my people loved.

Seventeen-year-old daughter Davia Betos plays piano, zither, cello—Gipsy love songs, Bob Dylan, Arvo Pärt, Debussy, Beethoven. She plays the songs Dvorák’s mother taught him, and yes, a song her mother taught her:

Leonard Cohen’s “Hallelujah”:

I love the way “Hallelujah” moves between major and minor chords, the assertion that a hallelujah can be both “broken” and “holy.” This belief evokes Rabbi Luria’s glorious description of the beginning of the universe: God’s world shattered into tiny pieces because it was too fragile and delicate to contain the intense holiness of God. These sparks of holy light are hidden in everything and everyone, everywhere in our broken world. It is our sacred covenant, our blessing and our joy, to recognize and restore them.

No matter what she plays, Davia’s music is restoration and praise, an embrace of the hidden holiness of sound.

Edvard Grieg’s “Holberg Suite” in smoke and Johann Sebastian Bach’s “Chaconne (from Partita No. 2 in D minor)” playing on barbed wire:

Margalit Betos, forty-four, is the only child of Holocaust survivors. Her father died of a heart attack in 1980. Her mother Éva Spier lived fifty-eight years after the war, twenty-three without her husband. She’s been gone only five months. Margalit is submerged in the grief and mystery of her departure:

How someone can survive the worst and still not live forever?

It is amazing to discover there were orchestras in the Nazi death camps. In Birkenau-Auschwitz, the women’s orchestra performed as the trains arrived from Hungary. Éva heard them playing Grieg’s “Holberg Suite” in the mist and smoke. The tender, lilting sarabande soothed her. The irony of joyful music rising in the night as ash fell from the sky pierces Margalit. Her mother Éva never joined the orchestra. Margalit imagines Bach’s haunting “Chaconne” vibrating not through the strings of Éva’s violin, but through the barbed wire that surrounds the camp.

Zoltán Kodály’s “Dances of Galánta” and “Dances of Marosszék,” each one a fusion, a rondo and a rhapsody:

Zoltán Kodály’s compositions are marvelous fusions of folk and classical idioms: he absorbed and transformed the Gipsy music he loved. He also devoted himself to the children of his country. He believed every child could sing; he said every child must sing whenever possible. Kodály embraced the passionate work of restoring the world, not only as philosophy, but as daily practice: he made it his mission to visit schools to offer the freedom of song, one’s own voice, the greatest joy he could imagine. The famous “do, re, mi” sequence from The Sound of Music is the Kodály method!

Éva remembers Kodály visiting her school. His faith in song, his unmitigated delight, sustains her during her time in the camp. She makes it her own mission to continue his work in the world. At the very moment her husband Leonard dies, Éva is visiting a hospital playing Kodály’s rondos and rhapsodies for critically ill children, teaching them to “hum if you don’t have breath; let your body feel it.”

Margalit says, “My father blazed in the window behind Éva. As light, he fell on bare heads and throats; as light, he warmed naked legs and shoulders; as light, he transfigured all these shattered faces.”

Arnold Schoenberg’s “Transfigured Night”:

There’s glorious frisson in this composition, tremendous energy and variation. At the height of its emotional pitch, we share the surprise and thrill of inharmonic change, E flat minor to D major. Schoenberg’s work is based on the poem “Verklärte Nacht” by Richard Dehmel, a stunning fin-de-siècle lyric about the endless miracle of transformation. As a woman and the man she loves walk through a grove of trees, she confesses she’s carrying the child of another. She expects her love to leave her, but instead he responds: “Let the child you have conceived / be no burden to your soul. . . . / There is a radiance on everything . . . ” He believes the warmth that flickers between them will transfigure the other’s child and make it their own. “You have brought radiance on me, / you have made me a child myself.”

When Margalit hears Davia playing “Transfigured Night” on her cello, moving with grace and speed through those astonishing extremes of pitch and dynamics, she’s reminded of her mother’s and father’s transfiguration, their life of love together after losing their families. The shape and size and vocal range of the cello make it seem almost human. It is the perfect instrument for Schoenberg’s transformation of the spoken word into the language of music and spirit.

“Kaddish,” prayer for the dead:

Today, this day, the sixth of February, 2004, Margalit is preparing to celebrate Tu B’Shvat with her children and husband. Tu B’Shvat is the new year of the trees, God’s Rosh Hashanah, that mysterious turn of the year when sap begins to flow again and new life quickens. In Salt Lake City, six inches of new snow has fallen, but by noon, the sun feels fierce, the blue sky unbearable. Margalit believes, yes: in this rage of light, the Tree of Life, all life, might be reawakening. She tells herself: Rejoice. Whispers: For your mother’s sake, be thankful. But she can’t help thinking of her beautiful son, eleven-year-old Seth who already knows he wants to be a fireman and a cantor. She hears him singing the “Kaddish,” walking into the flames, healing the wailing mothers with a song as he lifts their babies from the embers.

John Tavener’s “The Protecting Veil”:

The soaring, tender, protective voice of the cello is the voice of the Mother of God: she never stops praising and grieving. Davia listens through her headphones, turning the volume down lower and lower, until sound stops, until she becomes its lingering vibration.

“The Protecting Veil” opens the story to a new world of shared sorrow. The morning of Tu B’Shvat, Margalit witnesses and feels responsible for the drowning of a beautiful young woman in a public pool, a trauma that plunges her into visions of her parents’ histories, memories that amplify and expand her imaginative compassion for the family of Helen Kinderman.

“Yaqui Deer Songs”:

Jay Kinderman, the brother of the drowned girl, is serving a mission for the Church of Latter Day Saints in Hermosillo, Mexico. He does not know. He cannot imagine a world, a life, a day without his four sisters. He hears Helen’s mocking voice above the others, Helen, three years older, calling him Elder Kinderman, and he laughs at himself, at his white shirt, stained with sweat, filthy from dust blowing. He laughs and she’s there, watching, his Helen. His companion is sick today, and Jay has left him. He is forbidden to work alone. All day, he has been disobedient. Not one crime, but a crime committed moment by moment, street to street, hour by hour. He believes Helen would approve, that the joy he shares dancing with the Yaqui children is more important. Yes, this is true communion, and he is the one converted. Jay tries to dance as gracefully as they do, tries to enter the mystery of their Deer Songs: “With a cluster of flowers in my antlers I walk; here in the wilderness, I am killed and taken.”

“Rain on Water: Improvisation for Piano” by Davia and Seth Betos

In Pig Earth, John Berger says, “All music is about survival, addressed to survivors.” I came to believe this as I entered the lives of my people, as I witnessed and shared the power of music to gather the holy sparks, to transfigure and to heal us.

The final music of the piece, an improvisational duet on the piano between Seth and Davia, brings all the strands of the story together, allowing Margalit to embrace the holy and the broken hallelujahs, to forgive herself and accept the gift and transience of life. “Imagine the song you would sing if you loved the mud, the weeds, the rocks rippling you. Imagine your joy if you reflected stars, then swallowed them. Imagine if you had no choice as creeks entered you, if you wound slowly through silent woods, then with delight roared down a narrow canyon—imagine the wonder of it all, how you’d laugh and leap as you ceased to be, as you emptied yourself into the ocean. Never again, never again I, never will I on this world be walking. This was Davia’s voice, life beyond hope and fear, proof of love, God unfathomable. Seth brought his fingers to the keys in a jubilation of sound, three times Davia’s speed, but with astonishing lightness. Rain, brilliant rain, water bouncing off water.”

Melanie Rae Thon and In This Light: New & Selected Stories links:

BrodartVibe’s Blog review
ForeWord Reviews review
High Country News review
Kirkus Reviews review
New York Journal of Books review
NewWest review
The Rumpus review

also at Largehearted Boy:

other Book Notes playlists (authors create music playlists for their book)

52 Books, 52 Weeks (weekly book reviews)
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Largehearted Word (weekly new book highlights)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily music, literature, and pop culture links)
Soundtracked (composers and directors discuss their film’s soundtracks)
Try It Before You Buy It (mp3s and full album streams from the week’s CD releases)
weekly music & DVD release lists




Largehearted Boy

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