King Of Thorns by Mark Lawrence (Reviewed by Mihir Wanchoo)

Posted in Fantasy Literature on August 25th, 2012 by Admin
Order “King of ThornsHERE (US) + HERE (UK)
Read an Extract HERE
Read FBC’s Review of “Prince of Thorns

AUTHOR INFORMATION: Mark Lawrence is a research scientist working on artificial intelligence. He lives in England with his wife and four children.

OFFICIAL BLURB: The boy who would be King has gained the throne…

Prince Honorious Jorg Ancrath vowed when he was nine to avenge his slaughtered mother and brother—and punish his father for not doing so. When he was fifteen, he began to fulfill that vow. Now he is eighteen—and he must hold on by strength of arms to what he took by torture and treachery.

King Jorg is a man haunted: by the ghost of a young boy, by a mysterious copper box, by his desire for the woman who rides with his enemy. Plagued by nightmares of the atrocities he committed, and of the atrocities committed against him when he was a child, he is filled with rage. And even as his need for revenge continues to consume him, twenty thousand men march toward the gates of his castle. His enemy is far stronger than him. Jorg knows that he cannot win a fair fight.

But he has found, in a chamber hidden beneath the castle, ancient and long-lost artifacts. Some might call them magic. Jorg is not certain—all he knows is that the secrets they hold can be put to terrible use in the coming battle… 

CLASSIFICATION: King of Thorns is R-rated epic fantasy that combines Robert E. Howard/Glen Cook-like sword-and-sorcery action with George R. R. Martin-inspired court intrigue and a huge side of dark humor to make Joe Abercrombie proud.  

FORMAT/INFO: King of Thorns is 464 pages long divided over forty-nine numbered chapters, a prologue and thirty journal entries by Katherine. Narration is in the first-person, via King Jorg Ancrath and in the third person via diary entries by Katherine Ap Scarron. King of Thorns does well to read as a standalone however should be read after Prince of Thorns to appreciate the character arcs, and is the second volume in The Broken Empire trilogy.

August 7, 2012 marked the North American Hardcover publication of King of Thorns via Ace Books. The UK version (see below) was published on August 16, 2012 via Harper Voyager. Cover art is provided by Jason Chan. More information, including a Map and a Cast of Characters, can be found at Mark Lawrence’s Official Website.

ANALYSIS: Last year Mark Lawrence debuted on the fantasy scene with his dark and morally tipsy book Prince of Thorns. It shocked many readers and led to interesting debates about the book, its main protagonist and the overall direction of the story. I thought that the writing and storyline was sheer brilliance. Mark Lawrence’s plot had the main protagonist who is a teenage sociopath and who in most novels would be featured as the series villain. The dark beauty of the series is that it dwells into his mind and showcases all that he does and why he does it. It was an excellent debut and one which manages to push the boundaries of dark fantasy so far beyond that those set by its predecessors.

I found this book to be a bit difficult to review because of its complexity, so kindly forgive me for the rambling nature of it below. To begin with King of Thorns continues the pattern of dual storylines found in the first book with the same time period of four years. The first storyline is set four years after the events of the first book wherein Prince Jorg became King though not in the place he set out to be. Currently settled in as the King to the Renar Highlands, he faces dual problems; firstly his castle and kingdom are surrounded by enemy  forces from the kingdom of Arrow. Prince Orrin fated to be the Emperor uniting the Broken Kingdoms, stands on his doorstep waiting to knock it down or get Jorg’s support.

Secondly he’s about to get married to a princess called Miana and he doesn’t have the proper attire for it. There’s also the curious presence of a metal box that isn’t supposed to be opened as well as the ghost of a small child that comes and goes in Jorg’s presence. In the other storyline, it begins very much in line after the events at the end of the first book, Jorg has been crowned King and is trying to settle in with his motley bunch. His problems are never far Gog has been having some issues with controlling his fire powers and that has lead to the development of some burning queries. To top that Jorg also gets a visit from Prince Orrin and his brother Prince Egan, both from the country of Arrow and who have plans for uniting the small kingdoms into one glorious empire.

As evidenced by the information above, this book is a huge mix of storylines, both the past and present are intriguing and the author also introduces another crucial observer element in the form of diary entries by Katherine. This story is much more complicated than the previous one, as with the preceding title we had Jorg trying to exact revenge on his family for reasons he thought were just. In this book however we are shown mysteries and things that were only hinted at previously. In the previous volume, the past recollections held a clue to the things occurring in the present. However in this volume, the author cleverly makes both timelines dependent on each other as twists and turns are present in both but their raison d’être will be clear only to the observant readers. Each phrase or narrative turn is to be examined as it will play out in the later half. This book has a lot more travels to it as well than the first book, Jorg and his crew travel as far as to the Thar Desert in Asia and then head north to the Scandinavian coasts. In between these two timelines are also present the diary entries by Katherine and we get a crucial look into her acumen and her feelings for Jorg become crystal clear.

Characterization as in the previous volume is handled competently as the narrator is a sociopath but in this volume we get a slightly more emotional Jorg. Not that he breaks down and repents but in the essence of his actions, Jorg has started taking into account the consequences and effects onto others. There’s also the other characters that make their presence felt namely Katherine who reveals more about herself via her journal entries than previously seen from Jorg’s POV. There’s also princess Miana who is to wed Jorg and even though she’s present for a very small period of the book, she shows fortitude that belies her age and size. I hope we get more of them in the next book. There’s also the prose which stand up to the expectations from the first book, beginning with Jorg and his  observations, to the brotherly quotes between chapters, fans of the first book will find acerbic wit, striking dialogue and more in this second outing. There are also certain dark events that get described in a haunting way and particularly one event that leads to the mystery of the boy ghost.

Now with all that has been said, there are certain things that need to be mentioned like the fact that if you didn’t like the first book then the second one will not change your opinion. There’s also some events in this book that will add to the diatribe against a character like Jorg. One of the points which can be confusing to the reader is the travels taken by Jorg and his crew all around the Broken Kingdoms, it often feels as if there’s no rhyme or reason to it. I felt that way as well however quite a lot of it makes sense in the end so readers might want to persevere. There’s also the question about the book’s pace as it slows down in the middle of the book wherein Jorg is shown wandering and experiencing several adventures, and in the present timeline when the beginning of the defense of the castle is shown. Both these things while going on concurrently drag the pace down and might confuse the readers. Lastly one great thing about this book is that we learn the Nuban’s real name as he was too good a character to be left unnamed.

CONCLUSION: Mark Lawrence has definitely upped his game and with King Of Thorns, he shows the evolution of his craft as well making his story more twisted than its predecessor. This is a dark story that demands attention from its readers but also rewards them immensely for their attention in the end. Read King of Thorns to be shocked and awed by the boy who would be king, Honorious Jorg Ancrath and now onwards to Emperor of Thorns.

Fantasy Book Critic

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“More Detail on Three Upcoming Novels of the Highest Interest: Lawrence Norfolk, K.J. Parker and Peter Hamilton” (by Liviu Suciu)

Posted in Fantasy Literature on May 24th, 2012 by Admin
 A little bit to my surprise I have recently been extremely lucky to obtain advance reading copies of three of my most awaited books for 2012 and as they cover the 3 areas of English language fiction that is of most interest to me today – sumptuous historical fiction, secondary world fantasy that is closer to historical fiction than to traditional lots of magic genre and modern space opera – I decided to talk a little about each below with reviews to come later in the year.
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In September, Lawrence Norfolk returns to fiction after many years with John Saturnall’s Feast. I read this book a few weeks ago, essentially the day I obtained my e-arc and I talked a little about both the author and the book on Goodreads. For now I will just present my final point from that “raw thoughts” mini-review.
“The novel is also very visual – I was picturing quite a lot of it as a Peter Greenaway movie, more precisely the mixture of the period of The Draughtsman’s Contract and the feasting of The Cook, the Thief, His Wife and Her Lover – both movies that I’ve watched a number of times. Though now the cook is the lover too and he does not end on the dinner table…”
Since my first two readings, the novel kept staying with me and  I plan at least one more end-to-end read later this year. The blurb below is reasonably accurate though it does not convey the richness of the book.
“A beautiful, rich and sensuous historical novel, John Saturnall’s Feast tells the story of a young orphan who becomes a kitchen boy at a manor house, and rises through the ranks to become the greatest Cook of his generation. It is a story of food, star-crossed lovers, ancient myths and one boy’s rise from outcast to hero.

Orphaned when his mother dies of starvation, having been cast out of her village as a witch, John is taken in at the kitchens at Buckland Manor, where he quickly rises from kitchen-boy to Cook, and is known for his uniquely keen palate and natural cooking ability. However, he quickly gets on the wrong side of Lady Lucretia, the aristocratic daughter of the Lord of the Manor. In order to inherit the estate, Lucretia must wed, but her fiancé is an arrogant buffoon. When Lucretia takes on a vow of hunger until her father calls off her engagement to her insipid husband-to-be, it falls to John to try to cook her delicious foods that might tempt her to break her fast.

Reminiscent of Wolf Hall and Jonathan Strange & Mr. Norrell, John Saturnall’s Feast is a brilliant work and a delight for all the senses.”

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 In July, K.J. Parker’s novel Sharps will be out and as two days ago I have just received a bound galley which I plan to enjoy with my usual “read 100 pages, reread them, read another 100, then read the first 200 again” that KJ Parker’s novels deserve in order to tease all their subtleties before being hit with the expected hammer of unbelievable twists and turns, I can only say that so far it is just vintage author with the darkly ironic view of human nature and the generic world building and naming conventions familiar from earlier novels.
For a discussion of K.J. Parker’s earlier work here on FBC you can look at my review of The Hammer and the links there – to date I have done 7 review posts about the author’s work. The blurb below seems accurate from what I see.
“For the first time in nearly forty years, an uneasy truce has been called between two neighbouring kingdoms. The war has been long and brutal, fought over the usual things: resources, land, money…

Now, there is a chance for peace. Diplomatic talks have begun and with them, the games. Two teams of fencers represent their nations at this pivotal moment.

When the future of the world lies balanced on the point of a rapier, one misstep could mean ruin for all. Human nature being what it is, does peace really have a chance?”

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                                               (click to enlarge for full enjoyment)
In  September (UK), Peter Hamilton’s new standalone mammoth space opera Great North Road will be published and just yesterday a limited edition trade paperback review copy that stands at 1087 (!!) pages arrived in my mailbox. While the text is nicely large so the published book may stand at somewhat less, it still should clock close to 1000 pages. 
 I have only browsed a few pages so far but the book seems vintage Hamilton with the usual exuberant, sense of wonder style that justly made him one of the premier voices of today’s SF. I will present the blurb below, while the image above should be seen at full resolution (click on it) for full enjoyment as it conveys what one expects from a P. F. Hamilton novel!
“In Newcastle-upon-Tyne, AD 2142, Detective Sidney Hurst attends a brutal murder scene. The victim is one of the wealthy North family clones – but none have been reported missing. And the crime’s most disturbing aspect is how the victim was killed. Twenty years ago, a North clone billionaire and his household were horrifically murdered in exactly the same manner, on the tropical planet of St Libra. But if the murderer is still at large, was Angela Tramelo wrongly convicted? Tough and confident, she never waivered under interrogation – claiming she alone survived an alien attack. But there is no animal life on St Libra. Investigating this alien threat becomes the Human Defence Agency’s top priority. The bio-fuel flowing from St Libra is the lifeblood of Earth’s economy and must be secured. So a vast expedition is mounted via the Newcastle gateway, and teams of engineers, support personnel and xenobiologists are dispatched to the planet. Along with their technical advisor, grudgingly released from prison, Angela Tramelo. But the expedition is cut off, deep within St Libra’s rainforests. Then the murders begin. Someone or something is picking off the team one by one. Angela insists it’s the alien, but her new colleagues aren’t so sure. Maybe she did see an alien, or maybe she has other reasons for being on St Libra “

Fantasy Book Critic

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New Treasures: The Bantam Giant Novels of Lawrence Schoonover

Posted in Fantasy Literature on April 2nd, 2012 by Admin

golden-exile3Who the heck is Lawrence Schoonover?

I had no idea. At least until I found myself in an unexpected bidding war for a beautiful collection of Bantam Giant paperbacks on eBay, including two by Mr Schoonover: The Golden Exile and The Burnished Blade (cover here).

Don’t know much more about him. I’m sure a trip to Wikipedia would tell me lots about Schoonover but, really, his covers tell me pretty much everything I need. Apparently he wrote big fat adventure novels featuring dudes with swords, exotic settings, and women who had little use for clothing. I’m a fan.

And it certainly doesn’t hurt that his novels were published as Bantam Giants.

There’s just something about the Bantam Giants that really brings out the collector in me. If you’re any kind of paperback aficionado, you know what I’m talking about.

The first Bantam Giants appeared in 1951, during the tenure of the legendary Ian Ballantine. I don’t believe they were numbered separately from Bantam’s usual sequencing, which makes cataloging them somewhat problematic, but their ranks included James Michener, Emile Zola, Harold Robbins, Sinclair Lewis, Robert Wilder, C. S. Forester and many, many more.

Some of the best literature of the 20th Century appeared in paperback as Bantam Giants, such as Robert Penn Warren’s All The King’s Men and Ernest Hemingway’s For Whom the Bell Tolls.

They also included a superb assortment of classic adventure novels from Rafael Sabatini, Thomas R. Costain, John Masters, John Dickson Carr, and even some dude named Lawrence Schoonover.

If you're the one who outbid me for this eBay lot, you should be ashamed of yourself.

If you're the one who outbid me for this eBay lot, you should be ashamed of yourself.

There was also a smattering of science fiction and fantasy, such as Aldous Huxley’s Brave New World, Ray Bradbury’s classic anthology The Circus of Dr. Lao, John Collier’s Fancies and Goodnights, and novels by Bradbury and Jerry Sohl.

I think a large part of the appeal of Bantam Giants is their sheer size. They promise a lot of reading for your 35 cents. And dang, they look good don’t they? Just check out that beautiful assortment at left (click for bigger version.)

‘Course, I’d know a lot more about Schoonover if I’d just managed to win that damn auction. Since I didn’t, I was forced to hunt down virtually every single title in the set individually on eBay. I finally managed to complete that daunting task late last week. It’s okay, I’m sure the kids didn’t really need that college fund.

And before you ask which I’m going to read first, I think that should be fairly obvious. I’m curious about all of them, but before anything else I have to find out just what the Great Folly of that young lady in the bottom right is.

Even though I think I have a pretty good idea.

Black Gate

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“Prince of Thorns” by Mark Lawrence (Reviewed by Robert Thompson)

Posted in Fantasy Literature on July 20th, 2011 by Admin
Order “Prince of ThornsHERE (US) + HERE (UK)
Read An Extract HERE
AUTHOR INFORMATION: Mark Lawrence is a research scientist working on artificial intelligence. He lives in England with his wife and four children. Prince of Thorns is his first novel.
PLOT SUMMARY: When he was nine years old, Prince Honorous Jorg Ancrath saw his mother and younger brother murdered before his eyes. By thirteen, he commanded a band of bloodthirsty mercenaries. By the time he is fifteen, he intends to be king.
First though, Jorg must return to the life he turned his back on, to take what is rightfully his. Since the day he was hung on the thorns of a briar patch and forced to watch Count Renar’s men slaughter his mother and brother, Jorg has been driven by a burning need for vengeance. Life and death are no more than a game to him—and he has nothing left to lose.
But treachery and dark magic awaits him in his father’s castle. No matter how fierce, can the will of one young man conquer enemies with power beyond his imagining?
CLASSIFICATION: Prince of Thorns is R-rated epic fantasy that combines Robert E. Howard/Glen Cook-like sword-and-sorcery action with George R. R. Martin-inspired court intrigue and a revenge-driven plot that would make Joe Abercrombie proud. Because of a young protagonist whose accomplishments defy his age and abilities, and a fantasy world that seems to be a different version of Earth, I was also reminded of Paul Hoffman’s The Left Hand of God, while the novel’s dark tone and gritty atmosphere evoked thoughts of David Keck and Richard K. Morgan’s The Steel Remains
FORMAT/INFO: Prince of Thorns is 336 pages long divided over forty-nine numbered chapters. Narration is in the first-person, exclusively via Prince Honorous Jorg Ancrath. Prince of Thorns ends at a satisfying stopping point, but is the first volume in The Broken Empire trilogy. August 2, 2011 marks the North American Hardcover publication of Prince of Thorns via Ace Books. The UK version (see below) will be published on August 4, 2011 via Harper Voyager. Cover art is provided by Jason Chan. More information, including a Map and a Cast of Characters, can be found at Mark Lawrence’s Official Website.

ANALYSIS: Neal Asher is an author whose opinion I admire and respect. So when he wrote on his blog that Mark Lawrence’s Prince of Thorns was “the best fantasy read I’ve had since Alan Campbell’s Scar Night”, the book immediately became added to my wishlist. After all, I read Scar Night because of Neal Asher’s recommendation, and since then, Alan Campbell has become one of my favorite fantasy authors. With Mark Lawrence, it’s too early to say whether or not the author will become a favorite of mine or not, but Prince of Thorns certainly left an impressive first impression.

Speaking of first impressions, Prince of Thorns had me worried initially because of a young protagonist who acts and performs feats that seem impossible for his years—the novel features Jorg at ages nine and fourteen. More troubling however, was the world of Prince of Thorns which is like an alternate version of Earth, or a post-apocalyptic future where civilization has evolved back to medievalism. Personally, I prefer fantasy that is as far removed from the real world as possible—there are exceptions, as long as the names are changed and a creative effort is made—so it was disappointing to see God, Jesus, the Devil, Euclid, Plato, Sun Tsu, Socrates, Aristotle, Robin Hood, Nietzsche, Gog/Magog, Hercules and Shakespeare all make appearances in a novel that I consider epic fantasy. Fortunately, compared to how much I enjoyed the rest of the book, the setting and Jorg’s young age are minor complaints.
Surprisingly, Prince of Thorns’ greatest asset is Prince Honorous Jorg Ancrath himself. Jorg may be ruthless, immoral, and way too young to be accomplishing the things that he does in Prince of Thorns—requiring a strong suspension of disbelief—but he’s also incredibly fascinating. A tragic past, supporting characters that are even more ruthless than JorgKing Olidan, Sageous, Corion, Rike, etc.—and contemporary fantasy novels that celebrate antiheroes (Monument, The Sad Tale of the Brothers Grossbart, Malazan Book of the Fallen, ASOIAF, The Steel Remains, anything by Joe Abercrombie) all contribute to the prince’s appeal, but the main reason Jorg captured my sympathy is because of a compelling first-person narrative rife with revealing insights, interesting observations about his ‘brothers’, and amusing words of wisdom:
The pain became my enemy. More than the Count Renar, more than my father’s bartering with lives he should have held more precious than crown, or glory, or Jesu on the cross. And, because in some hard core of me, in some stubborn trench of selfish refusal, I could not, even at ten years of age, surrender to anything or anyone. I fought that pain. I analysed its offensive, and found its lines of attack. It festered, like the corruption in a wound turned sour, drawing strength from me. I knew enough to know the remedy. Hot iron for infection, cauterize, burn, make it pure. I cut from myself all the weakness of care. The love for my dead, I put aside, secure in a casket, an object of study, a dry exhibit, no longer bleeding, cut loose, set free. The capacity for new love, I burned out. I watered it with acid until the ground lay barren and nothing there would sprout, no flower take root.
Most men have at least one redeeming feature. Finding one for Brother Rike requires a stretch. Is ‘big’ a redeeming feature?
War, my friends, is a thing of beauty. Those as says otherwise are losing.
You got responsibilities when you’re a leader. You got a responsibility not to kill too many of your men. Or who’re you going to lead?
Hangings, beheadings, impalement, oh my!
You soon learn there’s no elegance or dignity in death if you spend time in the castle kitchens. You learn how ugly it is, and how good it tastes.
On the road, shit has the decency to stink.
Concise storytelling is the second best attribute in Prince of Thorns, with brisk pacing, short chapters and a slim page count highlights of the novel. Factor in a story that boils down to an age-old tale of bloody revenge, and it’s no surprise that Prince of Thorns is a remarkably fast and intense read, especially compared to most epic fantasy. Of course, there’s more to Prince of Thorns than simple vengeance. Well-timed flashbacks—the assassination of Jorg’s mother and brother, his recovery, meeting the Nuban and his ‘brothers’ for the first time, etc.—court intrigue that references GRRM’s A Song of Ice & Fire (“a sacrifice to the iron will I needed to win the game of thrones”), and dark magic all work together to flesh out the book’s content, while keeping readers on their toes. The novel’s ending is a bit predictable because of Jorg’s first-person POV and the nature of the book, but Prince of Thorns will leave readers hungering for more.
World-building may be sparse—Builders, the Day of a Thousand Suns, the Broken Empire—but this works to the novel’s advantage, keeping the page count lean, while providing a sense of mystery. This is also true with the characterization, which is minimal apart from Jorg, although the camaraderie between the prince and his ‘brothers’ is skillfully executed. Magic meanwhile, which includes lich, dream-witches, leucrota, an oracle, necromancers, etc., is not very original, but it does add various layers of danger and intrigue to the book.
CONCLUSION: In a year teeming with fantasy debuts—Among Thieves, Den of Thieves, Miserere: An Autumn Tale, Of Blood & Honey, Songs of the Earth, The Desert of Souls, The Unremembered, The Whitefire Crossing, The Winds of KhalakovoMark Lawrence’s Prince of Thorns is one of the year’s best thanks to a captivating antihero in Prince Jorg, Jorg’s compelling first-person narrative, and a story full of brutal sword-and-sorcery action, treacherous court intrigue, and cold-blooded revenge…

Fantasy Book Critic

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