Blogs to Read in 2012

Posted in Pop Literature on January 4th, 2012 by Admin

Looking back at the blogs I loved over the past year, it’s easy to see where my passions lie: books, music, food, and comics.

Along with my 2011 list, 2010 list and 2009 list, these are the blogs I most recommend to friends, family, and blog readers, and constitute my favorites.

Feel free to add your own favorite blog (or blogs) in the comments.

Brain Pickings

Brain Pickings is my current favorite source for smart online content on the arts and sciences.

notable posts:

Advice to Sink in Slowly: Designers Share Wisdom with First-Year Students in Poster Series
Philip K. Dick on Beauty, Suffering, and the Nature of the Universe

Cartoon Movement

Cartoon Movement is the seminal political cartoon and comics journalism website.

notable posts:

State of Palestine by Sarah Glidden
What Every Woman Should Know by Susie Cagle

The Contextual Life

The Contextual Life is a culture blog that smartly covers books, film and music, and also features my go-to NYC literary event calendar.

notable posts:

On the Shelf: My New York Diary by Julie Doucet
What to Watch: Page One: Inside the New York Times

Eating the Beats

Eating the Beats pairs food and music in unconventional ways, featuring recipes inspired by musical artists as well as cooking with the bands themselves.

notable posts:

DIY Pop-Tarts with The Shondes (Inspired by Pat Benatar)
Tomato Soup & Grilled Cheese (Inspired by Joni Mitchell)

Glazed and Confused

A Tumblr devoted to donuts, with possibly the best blog name ever. My life is complete.

notable posts:

New Year’s Raise-olutions
Donut; Donutness

katechristensen

Kate Christensen, a writer I greatly admire, has started a food blog. Each story has a recipe, each recipe a story.

notable posts:

She wheeled her wheelbarrow through streets broad and narrow
I’m standing in the middle of life with my past behind me

On the Lit Mat

On the Lit Mat is a bi-weekly author interview series conducted by Other Press editor Corinna Barsan at The Magazine of Yoga that covers writers’ creative processes and inspirations.

notable posts:

Emma Straub
Eleanor Henderson

Open Culture

http://www.openculture.com/ consistently curates an odd and wonderful collection of free internet media (audio,video, movies).

notable posts:

Free Orson Welles Films
A Young Frank Zappa Plays the Bicycle on The Steve Allen Show (1963)

Page Views

The New York Daily News book blog may be less than a month old, but it has become one of my favorite sites for literary news and opinion.

notable posts:

Two Michiko Kakutanis?! Things get weird as another Tweeter claiming to be the book critic appears
Occupy New Year’s Eve With a Book

The Record

Edited by one of my favorite music writers, Ann Powers, The Record is an NPR music blog “about how people find, make, buy, share and talk about music.”

notable posts:

The Year in Pop and Profanity
John Congleton: Meet Indie Rock’s Unsung Hero Of 2011

Write Place, Write Time

Authors share photos and a description of their writing space at Write Place, Write Time, and offer rare and often intimate insight into their lives.

notable posts:

Jami Attenberg
Joe Hill

also at Largehearted Boy:

Blogs to Read in 2011
Blogs to Read in 2010
Bloggers to Read in 2009

52 Books, 52 Weeks (weekly book reviews)
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Book Notes playlists (authors create music playlists for their book)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Largehearted Word (weekly new book highlights)
lists
musician/author interviews
Note Books (musicians discuss literature)
Soundtracked (composers and directors discuss their film’s soundtracks)
Try It Before You Buy It (mp3s and full album streams from the week’s CD releases)
weekly music & DVD release lists




Largehearted Boy

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Race Matters: A Writer Blogs About Process

Posted in Fantasy Literature on January 29th, 2011 by Admin

bgdancersNearly a decade ago, having spent four nights reading my story “A New Grave For Monique” aloud to a late-night workshop audience, I won an award for fiction from the Santa Barbara Writer’s Conference.  The audience (and the conference in general) was uniformly Caucasian.

About a year later, I showed the story to my friend Ellie, who immediately noted that when I introduced the Haitian character, Monique, I stated in the text that she was black.  Not a foul in and of itself, except that I did not introduce any of the story’s many white characters as white, a fact Ellie was quick to note.  Had I read “A New Grave For Monique,” since published in Traps (Darkhart Press, Scott T. Goudsward, Editor), at a conference of African-American or multi-national writers, I suspect I would have won little more than a pie in the face.  And deservedly so.

We in the business of writing (and reading) speculative fiction and adventure fantasy should be especially sensitive to this issue, as the stories, the settings, and the readership remain predominantly white –– Nordic, even.  Conversant we may be with Greek or Aztec or Navajo mythology, but the wellspring from which most adventure fantasy draws its nectar is indisputably Northern Europe, and the many exceptions only prove the rule.  That this should still be the case in our globe-trotting, air-travel era ought to be a wee bit alarming.

bgknockerIf we reduce all this to pure technique, the issue of introducing a character’s race in prose is solvable simply by not settling for easy, untrue descriptors.  Toni Morrison (among others) eschews “black” and “white” entirely, as well she might, and relies instead on vivid and specific skin tone comparisons, suggesting that one character has skin like a polished walnut table, another like old coffee, a third like pinkish chick peas and so on.  (None of these are examples culled directly from Morrison––or if they are, it’s only happy accident.)  Color, after all, at least in the realm of skin tone, is only a case of black and white when one is watching re-runs of Star Trek’s “Let That Be Your Last Battlefield.”

Post-Ellie, I have generally taken Morrison’s tack, and I’m well pleased with the results.  I will be employing it again any day now, as I introduce a new character into my shortly-to-be-completed novel, The Portal.  The character in question, Hehshear, is decidedly “black,” although in literal terms, he is no more black than a street-lit city by night.  (If you really want to see black, go caving, then turn out the lights.)  The exact phrase I’ll turn has not yet occurred to me (“…he stood there dripping in the rain, his skin the color of overripe avocados…”) but it certainly won’t involve the adjective “black.”

And I don’t think I’ll be using that absurd avocado line, either.

bgdrummerLet’s face it: From Tolkien to Moorcock to Leiber to [fill in your favorite adventure author here], the rule of thumb is pale-skinned heroes and heroines, the kind you might bump into in Ireland, Russia, or Hungary.  And now we have Twilight, with much the same result.  When these characters run into people from warmer Southern climes (think Tolkien again), they tend to be dangerous and unpredictable Saracen types with desert ways and darker but not truly dark skin –– not like, say, the people of sub-Saharan Africa or southern India.

So where was I?  Oh, yes.  At the tail end of The Portal, my book’s heroes, who range in skin tone from ecru pale to sun-burnt bronze to camouflage green, will encounter Heshear the Poet, accomplished scholar and diplomat, an aging patriarch of wisdom, learning, and (sometimes) narrow-mindedness.  How will he interface with the rest of the book’s characters?  Well, he will certainly not be running through jungles waving a spear and trying to chuck Tarzan in a cook-pot.  Nor will he be a shifty-eyed thief lurking in some Casablanca-style doorway.  Rather, he will be cultured, helpful, and firm, self-motivated and unpredictable.  He will, in short, be a full-blooded human being.

Unfortunately, Hehshear will also function as a watermark by which to judge this author’s racial sensitivity.  There’s really no way around this.  It’s the inheritance of the world I’ve been born into, a world where I come crowned with a certain kind of privilege, that of the white male.  It’s my task –– my fortunate task, really –– to swim these currents as best I may (and without complaint).

bgstone-doorWe do have exponents within the genre who are tackling all this, some intentionally, some by simple happenstance.  (Heck, even Conan the Barbarian was a “Cimmerian.”)  Howard Andrew Jones, as many BG readers surely know by now, is mere moments away from unleashing his first Dabir and Asim novel on the world.  At least one recent editor of my work, D.L. Russell of Strange, Weird & Wonderful, is African-American –– but he’s the only one I can think of, at least in the SpecFic department.  Surely there are others –– two or three –– disguised by the impersonal veil of the internet?

The underlying tropes of fantasy and science fiction are not, in the main, suspect.  That is to say, the genre is capable of more inclusion than exclusion.  The trick is to generate work that honors that spirit of inclusion, that opens rather than shutters our fictional possibilities (and our real-world lives).  Sure, we can settle for Elves, Dwarves and Orcs –– no difficulties with racial description there –– but we beggar our available themes if that is all we attempt to write or read. If world-building (or world-reading) is our work, imagine what might happen if we started avoiding Northern Europe as our default starting point.  Just think: What if Umslopogaas had come to England in search of Allan Quatermain instead of the other way around?

bgwalkingHmm.  That actually sounds suspiciously good.  Maybe I should go write that.  I could call it Queen Victoria’s Mines.

On second thought, I think I’d better finish off The Portal, instead.

“His was skin the color of burnt cloves in a storm-lit sunset…”

Nope.  Back, as they say, to the drawing board.

‘Til next time, dream hard.  Write harder.

***

Mark Rigney is the author of Deaf Side Story: Deaf Sharks, Hearing Jets, and a Classic American Musical (Gallaudet University Press), as well as the play Acts Of God (Playscripts, Inc.).  Upcoming short stories will appear in Black Gate, Realms Of Fantasy, Sleet, and Day Terrors, among others.  His website is www.markrigney.net and he lives near most of the many-hued and wonderful people depicted here.

Black Gate

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