Vintage Treasures: Bug-Eyed Monsters, edited by Bill Pronzini and Barry N. Malzberg

Posted in Fantasy Literature on July 12th, 2012 by Admin

bug-eyed-monsters2Last week I posted a brief article on Damon Knight’s landmark SF anthology, A Science Fiction Argosy (and I mean that in the literal sense — it’s so large that for years I used it as a visual landmark when scanning my bookshelves.) The first response in the Comments Section was from the esteemed John C. Hocking, who wrote:

Some years back I read the anthology Bug-Eyed Monsters, edited by Bill Pronzini and Barry Malzberg, which leads off with Knight’s story “Stranger Station.”

This story knocked me out of my chair.

It is not a clever punch-line kind of tale, it’s a bravura piece of serious space operatic sf with strong characters, a vivid setting, genuinely alien horror, and a plot that manages to make the outcome of a single character’s dire situation a crux of cosmic importance without pushing the whole tale into wide-eyed melodrama.

The other stories in the collection were worth reading, but Knight’s tale put them deep in the shade.

So naturally I had to dig up my copy of Bug-Eyed Monsters, a 1980 Harcourt Brace Jovanovich trade paperback, to see what all the fuss was about. First thing I noticed was the Ruby Mazur cover. Mazur, who created over 3,000 album covers, was one of the most famous rock n’ roll cover artists of the 70s and 80s. His work here is serviceable but not particularly attractive, with a rather drooly BEM lording it all over a pulpy alien landscape.

But we’re here to talk about ”Stranger Station,” not 70s cover art, and Mr. Hocking is right that Damon Knight’s story, which first appeared in 1956 in F&SF, is a fine piece. The editors give it pride of place as first in the anthology, calling it “a virtuoso performance — arguably, one of the two finest BEM stories ever written (the other being, of course, H.G. Wells’s The War of the Worlds.)”

I can’t quite bring myself to those heights of praise, though — or even Hocking’s level, to be honest. “Stranger Station,” which features a lonely human stranded on a vast space station for a 6-month contact mission with a supposedly-benevolent but extremely mysterious alien race, has plenty of scares and twists. But the ending is awful, and the story overflows with 1950s-era zest for space conquest — “conquest” being the operative word. When your protagonist is willing to go to any lengths — including suicide, murder, and condemning billions to an early death – to make sure humanity’s path to galactic conquest is unimpeded in any way, you know you’re witnessing the worst paranoia of the US-Soviet Space Race writ large on the page.

Much better, in my opinion, is Donald A. Wollheim’s contribution “Mimic” (originally from Astonishing Stories, 1942). Or if we want to go even farther afield, Eric Frank Russell’s “Dear Devil,” which isn’t in Bug-Eyed Monsters at all, but still contains one of the memorable BEMs in SF history.

Still, Bug-Eyed Monsters has lots to recommend it, including classic SF tales monster tales by Robert Bloch, Fredric Brown, Poul Anderson, A.E. van Vogt, C.M. Kornbluth, Isaac Asimov, and many others. The 273-page trade paperback is the only version (there was no mass market paperback edition), but as of this writing new copies are still available on Amazon.com for as little as .01.

Black Gate

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“The Detachment” by Barry Eisler w/Bonus Review of “The Lost Coast” (Reviewed by Mihir Wanchoo)

Posted in Fantasy Literature on October 14th, 2011 by Admin

Official Author Website
Order “The Detachment” HERE
Read FBC Interview with Barry Eisler
Read a brief overview of the John Rain series HERE
AUTHOR INFORMATION: Barry Eisler is the author of eight previously published novels. He’s a law graduate from Cornell University and has had quite an eclectic past working in the CIA first, then as an international lawyer working on patents as well as in a silicon valley startup. He has also been a contributor to Huffington post and a couple of other social sites. Earlier this year Barry shook up the publishing world with his decision in regards to his future books. He lives with his family in San Francisco bay area.
OFFICIAL SYNOPSIS: John Rain is back and is up against his most formidable enemy yet: the nexus of political, military, media, and corporate factions known only as the Oligarchy.
When legendary black ops veteran Colonel Scott “Hort” Horton tracks Rain down in Tokyo, Rain can’t resist the offer: a multi-million dollar payday for the “natural causes” demise of three ultra-high-profile targets who are dangerously close to launching a coup in America.
But the opposition on this job is going to be too much for even Rain to pull it off alone. He’ll need a detachment of other deniable irregulars: his partner, the former Marine sniper, Dox. Ben Treven, a covert operator with ambivalent motives and conflicted loyalties. And Larison, a man with a hair trigger and a secret he’ll kill to protect.
From the shadowy backstreets of Tokyo and Vienna, to the deceptive glitz and glamour of Los Angeles and Las Vegas, and finally to a Washington, D.C. in a permanent state of war, these four lone wolf killers will have to survive presidential hit teams, secret CIA prisons, and a national security state as obsessed with guarding its own secrets as it is with invading the privacy of the populace.
But first, they’ll have to survive each other.
FORMAT/INFO: The Detachment is 292 pages long divided over three parts and thirty-three chapters. Narration is via first person in the case of John Rain and in third person for Dox, Ben Treven & Daniel Larison. Also included is an acknowledgments page, a sources list and recommended reads listing. The Detachment has a self-contained plot however is the first book to feature previous series characters of John Rain and Ben Treven together. Cover art and design provided by Jeroen ten Berge.
September 15 2011 marked the e-book publication of The Detachment and it will be released in Trade paperback format on October 18, 2011 by Thomas & Mercer, the print division of Amazon Publishing.
ANALYSIS: The Detachment is Barry Eisler’s ninth book and the first one to combine both his previous book characters. When the book was announced, it was also announced by the author’s move to the Indie side of publishing. This alone precipitated a heady mix of discussion and still is. For me while his move was intriguing from the business point of view as explained in his interview, it was more exciting to return to the world of John Rain, last seen in 2007’s Requeim for an Assassin. This book would also pick up the plot threads from Inside Out which was # 5 in my top 10 books of 2010. I was anticipating top notch action, clash of personalities and much more, I’m glad to say The Detachment delivers that and much more.
The Detachment begins by re-introducing John Rain who has been living a retired life of sorts but is still proficient enough to notice that there are people tailing him. Turns out that Daniel Larison and Ben Treven and two others have been asked by Colonel Scott Horton to recruit Rain for a particular mission. Rain accepts but not before showing why he’s being considered for a mission. The other person who is sought by them, is Dox and after Rain’s acceptance, he blindly agrees. The plot has them unite due to Horton‘s plan and they truly don’t know whether he’s telling the truth or just playing his games. Thus they set out to finish their tasks not knowing exactly whose goals they are advancing.
The book starts with a terrific premise and then rushes to give the reader an excellent thrill ride all the way. What I loved about the book was its characterization not only does it feature the return of John Rain but also has him mixing with Daniel Larison. With Larison & Rain, Barry has created two enigmatic and deadly individuals and it was a sheer pleasure to see how they would react to each other. To add to the mix there’s Dox as well as Treven and this detachment becomes as stable as old dynamite. They are all lone wolfs who have to act as a team as they are given a substantial amount to do so and are told to kill three people to foil a plot which aims to derail the America as we know of it today.
Another highlight is the character interactions as they showcase the psyche of each individual which is a bonus for ever Eisler fan to read. Through out the story the reader is shown a tremendous glimpse in to the life of a covert operative both official and mercenary. The action in this book is almost nonstop as the author lays about his set pieces and in between them gives the reader dollops of character intrigue. The plot-twists can be a bit predictable however do not detract much from the read. They however will have the reader turning pages to see how it all ends, as for me I read the entire book in one sitting on the day I received it. The prose is very tight and does not waste the reader’s time in extra details however it isn’t so spartan as well not to develop the complete picture. While on the subject of details, it can safely said that the author did his research very well and all the minute facts add to the strength of the subject matter
For fans of Rain & Larison, this book is a goldmine as we get to see them collide with each other and I’m not telling how it all ends, Ben Treven the protagonist of two previous books gets a more secondary role but I’m not complaining as this was a bit expected. He however still plays a crucial role in certain events which sway how the chips line up. Overall the way things end it does seem that there might be further books written about this cast and I for one will be glad to read them.
While this book deserves the praise it gets, there are some points which cannot be overlooked, the biggest plot hole was the lack of a perceivable enemy and while the book does explain a lot in the end. I felt that the author is definitely trying to link some real life happenings within the fictional nature of this plot. While this was done very smoothly, I’m sure there are readers out there who do not appreciate such subtext. The climax of the book is something which will cause fans to have differences of opinion in regards to the path taken by the author however to discuss it, would be a huge spoiler. Personally for me it felt right so I don’t think it was a wrong move on the author’s part but again some readers might beg to differ.
CONCLUSION: If you like thrillers with action, terrific plots and great characters then The Detachment is the book for you. Even if you are a newbie reader who’s a bit hesitant to start out with this book, don’t be worried as the author gives enough of the back story about the characters for all newcomers to understand their complex psyche and enjoy the book at the same time. The Detachment managed to give me a terrific thrill ride while at the same time overcoming my anticipation for the book. In this regards you can’t ask for more from any author. Give it a try if you find yourself bored reading the same thrillers over and over again.

Order The Lost Coast HERE
Read an excerpt HERE
The Lost Coast is a short story focusing on Daniel Larison and is set between the events on Inside Out and The Detachment. The narrative is in the third person view however gives a clear view into Larison’s mind which is a dark and disturbing place and holds the reader captivated at the same time. This is a rather small short story of about 6.5K words however has quite a punch to it.
The blurb details a man on the run and when he encounters three men with an agenda, he makes them pay. The man is Larison who is running from the events of Inside Out and with good reason. He however has a secret and when he encounters a certain predatory trio who manage to get themselves on to his radar. Things become quite disturbing.
For readers who want to try out Barry’s writing skills, this is a rather excellent short story. The twist in the end is dark and might make a lot of readers think twice about ever meeting any one like the main character however for readers who encountered him previously, it just goes with his persona. The author has to be commended for writing such a dark character and yet making him seem human at the same time. I very much loved to read about Larison in his introductory appearance and this short story is the icing on the cake for all fans. Give it a read before The Detachment as certain things will be a lot clearer in the story then. Highly recommended for all Eisler fans as well as for lovers of anti-hero tales.

Fantasy Book Critic

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Book Notes – Sebastian Barry (“On Canaan’s Side”)

Posted in Pop Literature on September 16th, 2011 by Admin

In the Book Notes series, authors create and discuss a music playlist that relates in some way to their recently published book.

Sebastian Barry’s On Canaan’s Side is an epic novel covering almost seven decades in the life of an Irish immigrant to the United States. Exquisitely written and lyrical, the book was longlisted for this year’s Man Booker Prize.

The Financial Times wrote of the book:

“In lesser hands this triple-stranded tale that plaits Lily’s devastating domestic story, the bigger impersonal story of her vile 20th century and the story of “men” in the 20th century and the way modern war destroys the male psyche, might have seemed over-schematic and calculating. But it’s neither of these because Barry’s control over his complex materials is so formidable, his pacing so flawless, and his storytelling so indefatigable; the narrative compels interest from first to last and you don’t notice the message until after you’ve closed the book.”

Stream a Spotify playlist of these tunes. If you don’t have Spotify yet, request an invitation.

In his own words, here is Sebastian Barry’s Book Notes music playlist for his novel, On Canaan’s Side:

“On Canaan’s Side” is itself a sort of folk hymn, but I can’t find a really good version of it. Would love to.

“To Ohio,” by The Low Anthem. On their Charlie Darwin CD, they offer two versions of this magical song. Very simple, very purely sung, with a whalelike undertow of rhythm… The only trouble listening to it, it is inclined to hypnotize you, which is not very handy for working. Handle with care!

“Little Birdie,” sung by Ralph Stanley of the Stanley Brothers. Rightly described as the Maria Callas of Bluegrass singers, surely this man’s voice was granted by an angel with a full knowledge of darkness. How he holds his notes so softly, so persistently, and works in against the obvious places for his notes; how he incorporates somehow a whole sense of the American back-country, secret histories of inaccessible places, is anyone’s guess. I hope he walks in America loaded down by honours and accolades.

“White House Blues,” sung by Earl Taylor and the Stoney Mountain Boys. A song about the assassination of President McKinley, which I played as a sort of prelude to thinking about the series of terrible murders in the Sixties, starting with the great Medgar Evers. And reflecting back on the murder in the novel, of Lilly’s sweetheart Tadg Bere.

“Look at Miss Ohio,” by Gillian Welch, who also does a fine version of “Make Down me a Pallet,” which I knew from an old version by the wondrous Mississippi John Hurt. I love that MJH didn’t play for forty years till someone dug out a record and went looking for him in the Delta. He hadn’t even touched the guitar in years. Then he blossomed out again.

“Vietnam, Vietnam,” by JB Lenoir. I had this man’s record in the seventies, played it till the needle nearly carved itself through the vinyl and on down to Australia. Lenoir again was never a rich man, and he died quite young in Chicago. He had been working as a hospital orderly when he passed. He is to me the finest expression of urban blues, though I heard Buddy Guy a few years ago in Chicago and was enthralled. Vietnam was the war being fought when I was young, though we grew up in Ireland. This song applies to Ed in the book, Lilly’s son. I might also pay homage to Country Joe and the Fish and their Vietnam song sung at Woodstock.

“I Am a Poor Pilgrim of Sorrow,” sung by the Old Regular Baptists. My working title for the book was The Pilgrim Soul, which is a phrase from a poem by WB Yeats — ‘One man loved the pilgrim soul in you.’ It might seem a long way from this song to Yeats, but it is poetry too, found on the wayside and in the mouths of these deeply honest traditional singers.

“Oh Death,” again sung by the Stanley Brothers. A very startling song for its honesty, and very suitable for Lilly, who is 89 years old and wondering why she is still on this troubled earth, after the death of her grandson. It is not possible to imagine such a song ever being in the hit parade of any country of the world, but what a magisterial miniature it is.

“Kevin Barry,” a gloomy but heroic song about the young medical student hanged in Dublin for his part in a raid on the imperial police force, was the song my great aunt Annie taught me and put me up on a chair to sing, even though she was the daughter of a high ranking officer in that imperial police force. But Kevin Barry and her father were both born in Rathvilly, which was a fact that superseded mere politics and history.

“Roses of Picardy,” sung by Count John McCormack, the great song of the First World War, in which Lilly’s brother Willie is killed. Very few singers could do what John McC did with the ending of this song. He makes it climb the Matterhorn and then slides down the other side. McCormack toured all over America, to Butte and Buffalo. He was made an honorary member of a Native American tribe for his singing in Natoma, an opera that failed in New York but celebrated Native American culture. McCormack was an honorary US citizen. These inter-twinings and journeys and a sense of fluid identities were important to me in the writing of the novel.

Sebastian Barry and On Canaan’s Side links:

excerpt from the book

Bookreporter review
Daily Mail review
Daily Express review
Financial Times review
Guardan review
Independent review
Irish Independent review
London Evening Standard review
Milwaukee Journal-Sentinel review
Minneapolis Star Tribune review
The Scotsman review
The Spectator review
Sydney Morning Herald review
Telegraph review

Booktopia Blog interview with the author
Independent profile of the author

also at Largehearted Boy:

other Book Notes playlists (authors create music playlists for their book)

52 Books, 52 Weeks (weekly book reviews)
Antiheroines (interviews with up and coming female comics artists)
Atomic Books Comics Preview (weekly comics highlights)
Daily Downloads (free and legal daily mp3 downloads)
guest book reviews
Largehearted Word (weekly new book highlights)
musician/author interviews
Note Books (musicians discuss literature)
Shorties (daily music, literature, and pop culture links)
Soundtracked (composers and directors discuss their film’s soundtracks)
Try It Before You Buy It (mp3s and full album streams from the week’s CD releases)
weekly music & DVD release lists




Largehearted Boy

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