Teaching Romanticism in a…Library?

Posted in Romance Literature on September 30th, 2011 by Admin

This past August I was hired by Emory University as a Mellon Fellow for their Digital Scholarship Commons (DiSC). The Commons is funded by a grant, and is charged with increasing the opportunities for digital scholarship on campus. We also help develop two large-scale digital projects per semester. This semester, for example, we are involved in “Lynching in Georgia 1875-1930″ (a project chronicling the many lynchings that took place in the state of Georgia) and “Commonwealth” (an update to the Postcolonial Theory website maintained by Emory University).

All of these developments are extremely exciting for me, and yet I have wrestled with the problem of what it means to teach Romanticism in my current position. My role as a Fellow doesn’t cancel out my identity as a Romanticist. As one of my colleagues says “I’m a historian, who just happens to work in a library.” Well, I am a Romanticist who just happens to work in a library. I don’t teach formally, but I also feel that what it means to “teach” is being questioned in a University that simply hasn’t recognized how radically social media has already changed education.

One of the things I mentioned in the job talk for my current position is that the role of the librarian has to change as well. The library is often seen as a place where knowledge is held, where professionals help students and academics find the knowledge they need. It’s an important space, but a space nonetheless. What would it mean, I asked my audience, to think of the librarian as an advocate for digital scholarship? as someone who sits on dissertation committees or tenure and review boards? as someone who teaches?

I’m not someone who thinks that disciplinarity is over, yet I also feel that the future will force many of us to think of disciplinarity in novel ways. And I also feel that something dramatic happened in 2006 when Dan Cohen and Roy Rosenzweig can created H-Bot, a computer that can answer basic history questions with Google. H-Bot, they claimed, makes multiple-choice tests obsolete.

So I write this post for two reasons. First, a provocation: what sort of role do teachers, and specifically teachers of Romanticism, take when many answers are available to students anytime and anywhere? Second, a reflection on my current delimma: what does it mean that I, a digital humanist and Romanticist working at the library, participate in the teaching of Romanticism? I hope to use the next series of blog posts, with conversations sparked along the way, to help answer that question.

Teaching Romanticism: An RC Pedagogies Blog

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CFP: PCA/ACA Conference 2012

Posted in Romance Literature on September 30th, 2011 by Admin
Laura Vivanco

This is a call for papers for one of the subject areas covered at the Popular Culture Association/American Culture Association’s 2012 Conference, which is being held in Boston from April 11 – 14, 2012. Apparently this “is a week later than we have traditionally held it in the past.”


Deadline for submission:  December 15, 2011.
We are interested in any and all topics about or related to popular romance:  all genres, all media, all countries, all kinds, and all eras. All representations of romance in popular culture (fiction, stage, screen—large or small, commercial, advertising, music, song, dance, online, real life, etc.), from anywhere and any-when, are welcome topics of discussion.
This year we are especially interested in papers on Romance on/and/in Television, to be presented on panels jointly sponsored by the Romance and the TV areas.

The Romance Area is also co-sponsoring with the Gay/Lesbian/Queer area papers that discuss BDSM and Kink in any form. Representations of BDSM/Kink in popular media and/or discussions of real-life BDSM/Kink practices and practitioners are all welcome. Romance is not a necessary component of papers to be presented in BDSM/Kink.

We will consider proposals for individual papers, sessions organized around a theme, and special panels. Sessions are scheduled in one-hour slots, ideally with four papers or speakers per standard session.
If you are involved in the creative industry of popular romance (romance author/editor, film director/producer, singer/songwriter, etc.) and are interested in speaking on your own work or on developments in the representations of popular romance, please contact us!

Some possible topics for Romance (although we are by no means limited to these):

  • Popular Romance on the World Stage (texts in translation, Western and non-Western media, local and comparative approaches)
  • Romance Across the Media: crossover texts and the relationships between romance fiction and romantic films, music, art, drama, etc.; also the paratexts and contexts of popular romance
  • Romance High and Low: texts that fall between “high” and “low” culture, or that complicate the distinctions between these critical categories
  • Romance Then and Now: representations of Ancient, Medieval, Renaissance, Romantic, Modern, Postmodern love
  • Romancing the Marketplace: romantic love in advertising, marketing, and consumer culture
  • Queering the Romance: Lesbian, Gay, Bisexual, and Transgender romance, and representations of same-sex love within predominantly heterosexual texts
  • BDSM Romance and representations of romantic/erotic power exchange
  • Romance communities
  • New Critical Approaches, such as readings informed by critical race theory, queer theory, postcolonial studies, or empirical science (e.g., the neurobiology of love)
  • The Politics of Romance, and romantic love in political discourse (revolutionary, reactionary, colonial / anti-colonial, etc.)
  • Individual Creative Producers or Texts of Popular Romance (novels, authors, film, directors, writers, songwriters, actors, composers, dancers, etc.)
  • Gender-Bending and Gender-Crossing / Genre-Bending and Genre-Crossing / Media-Bending and Media-Crossing Popular Romance
  • African-American, Latina, Asian, and other Multicultural romance
  • Young Adult Romance
  • History of/in Popular Romance
  • Romance and Region:  places, histories, mythologies, traditions
  • Definitions and Theoretical Models of Popular Romance: it’s not all just happily ever after
As we do every year, the Romance area will meet in a special Open Forum to discuss upcoming conferences, work in progress, and the future of the field of Popular Romance Studies.  All are welcome to attend.
Presenters are encouraged to make use of the new array of romance scholarship resources online, including the romance bibliography, the RomanceScholar listserv, and the open Forums at the webpage of the International Association for the Study of Popular Romance.

Submit a one-page (200-300 words) proposal or abstract by December 15, 2011, to the Area Chair in Romance:

Sarah S. G. Frantz

If you have any questions as all, please contact the area chair.  Please feel free to forward, cross-post, or link to this call for papers.

On the topic of CFPs and conferences, don’t forget that the IASPR 2012 conference, focusing this year on the topic of “The Pleasures of Romance,” will be held in York from 27-29 September. Proposals for “individual papers, full panels, roundtables, interviews, or innovative presentations” need to be sent to conferences@iaspr.org by May 1, 2012.

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The image of the television was created by Robert Couse-Baker and was downloaded from Flikr under a Creative Commons licence. The BDSM symbol was created by Aida, released into the public domain by Aida and AnonMoos, and downloaded from Wikimedia Commons.

Teach Me Tonight

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Goth Chick News: New Haunted Tunes and Something Cool to Read While You Listen to Them

Posted in Fantasy Literature on September 29th, 2011 by Admin

image008Question: If grungy rock musicians from Seattle get all the Barbie-doll girls, then who gets the Goth Chicks?

Answer: Moody dudes in top hats and capes playing disturbing, dark dirges, that’s who.

Cue the organ music and pull back the black velvet curtains to reveal the boys of Midnight Syndicate and their newest title Carnival Arcane; just in time for your Ray-Bradbury-inspired, Something Wicked This Way Comes themed cocktail party.

You all have one of those, right? Or is it just me…?

The Bradbury reference is inevitable as a haunted, night circus is what immediately came to mind when I listened to this CD. And if clowns are your nightmare, I wouldn’t fall asleep with the track “Sea of Laughter” playing in the background.

The narrative of the disc surrounds the Lancaster-Rigby Carnival, a turn-of-the-century traveling circus with more than a few skeletons in its closet.

Inspired by historical research into carnivals of that time period, Carnival Arcane co-creator (and my musician-groupie crush) Ed Douglas describes the music this way:

We wanted to push the boundaries on this disc. For a band that’s made a career of making “soundtracks to imaginary” films, I think this one feels more like a movie than anything we’ve done to date.

And co-creator Gavin Goszka says:

It’s definitely the most complete and intricate soundscape we’ve ever produced. You can practically smell the popcorn and Fairy Floss (cotton candy). ”There’s also a tremendous amount of variety. There are moments where I think the listener will find themselves caught up in this strange sense of wonder and macabre fascination, and others that will leave them shaking in their boots. We were able to expand our instrument roster on this disc in ways that we’d only touched on before.

Each one of the twenty-five tracks is a self-contained gem of a storyline that will strike a nerve with anyone who believes there’s something more disturbing at traveling carnivals than employees without good dental plans.

image0042But don’t take my word for it. Listen to a sample track here, then pick up Carnival Arcane at Midnight Syndicate’s home page, on iTunes or at Amazon.com.

And now for the “something cool to read” bit…

Back in 2009 I was sort of hoping it was a rumor that Stephen King was considering penning a sequel to The Shining.

It has evolved into one of King’s signature stories, thanks in part to the Stanley Kubrick film adaptation; a film which King hated to such a degree that he made his own television version in 1997, then probably wished he’d left well enough alone.

And let’s be honest; Mr. King hasn’t exactly been on a literary roll recently (at least in my opinion) which may be a contributing factor to why he was considering returning to one of his classics.

So pop quiz: is a sequel to The Shining a long-awaited dream or a fast-approaching nightmare?

Doesn’t matter, it’s apparently a done deal in any case.

The title, originally reported to be Dr. Sleep, is in fact the name of the book, and King is already out reading excerpts. From those small bits, it seems to be about psychic vampires, at least in part.

Really…? Is this entirely necessary?

King’s official website posted the following earlier this week:

It’s now official – Stephen is working on Dr. Sleep, the sequel to The Shining. This weekend Steve read an excerpt from this at his appearance at George Mason University. They have given us permission to post their taping of the event here on Steve’s site which we will do as soon as we receive the file. Dr. Sleep’s plot includes a traveling group of vampires called The Tribe which is part of the passage he read from.

image0024Well, YouTube beat them to it. You can see King reading Dr. Sleep here.

For those of you who are thinking there can be no sequel to The Shining without Danny Torrance, the scuttlebutt back in 2009 sounded a bit closer to the mark and even then, I had my reservations.

(Dr. Sleep) would center on the emotionally scarred Danny Torrance, now a 40-year-old orderly at a hospice for the terminally ill in upstate New York. But Danny’s real job is to “visit with patients who are just about to pass on to the other side, and to help them make that journey with the aid of his mysterious powers.” And as a sideline, Danny bets on the horse races; a trick he learned from his old friend Dick.

I’ve got to believe Danny is going to make an appearance in Dr. Sleep so I’ll give it a chance. I like the character even if the adorable little guy who played him in the movie, grew up to be a bit of a tool.

King’s camp has been very tight-lipped about a release date, but as he’s out doing live readings I’ve got to imagine we’ll see it some Tuesday in October.

So what do you think about a Shining sequel? (Just don’t get me started on the whole “psychic vampire” thing.) Post a comment or drop me a note at Sue@blackgate.com.

Black Gate

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CFP: Love in Crisis, Love as Crisis, Love Against Catastrophe

Posted in Romance Literature on September 29th, 2011 by Admin

Eric has proposed a seminar for the American Comparative Literature Association’s 2012 Annual Meeting which

will take place at Brown University, Providence, RI from March 29th to April 1st, 2012. [...] The ACLA’s annual conferences have a distinctive structure in which most papers are grouped into twelve-person seminars that meet two hours per day for the three days of the conference to foster extended discussion. Some eight-person (or smaller) seminars meet just the first two days of the conference.

Here’s the call for papers for Eric’s seminar:

Since at least the 1920s, literary and cultural commentators have warned that modern lovers, hell-bent on investigating love, desire, and the self, would undermine all three. “We never say the word Love, do we; –we know it’s a suspect ideological construct” Maud Bailey shrugs in A. S. Byatt’s Possession, her symptoms shared by the patients Julia Kristeva discusses in Histoires d’Amour: men and women who suffer “crises of love. Let’s admit it: lacks of love.” In 1993, the New York Times announced the “Death of Eros” to readers of its Sunday magazine, and as ethnomusicologist Martin Stokes notes in The Republic of Love, Turkish novelists like Orhan Pamuk and Elif Şafak have recently suggested that love there, too, is “in a state of crisis.”

Yet is not love itself a sort of crisis? From Sappho to the Surrealists, Dante to Dil Se, Nizami to Jean-Luc Nancy, love seizes the body, shatters the heart, and annihilates the self, turning old life to new.    And what of other enduring discourses– psychological, theological, literary, and political–that frame love as a force that resists and rebuilds in the face of catastrophe? (Against the Nakba, Mahmoud Darwish thus declares himself a “Lover from Palestine.”)

This seminar invites papers on love in crisis, love as crisis, and love in the face of catastrophe, in literary texts, popular media, and works of critical theory. Ideally our seminar will span multiple periods, genres, traditions, and cultures of love, bringing them into productive conversation; all approaches are welcome.

ApparentlyThe Deadline for Paper Proposals has been extended to November 15, 2011.”

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The photo was taken by CarbonNYC and was made available under a Creative Commons licence at Flikr.

Teach Me Tonight

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Weight Watchers Location FAIL

Posted in Classic Literature on September 28th, 2011 by Admin

epic fail photos - Weight Watchers Location FAIL

Submitted by:

chris4817

Submitting 1 LOL


Epic Fail Funny Videos and Funny Pictures

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Two Man Operation FAIL

Posted in Classic Literature on September 27th, 2011 by Admin

epic fail photos - Two Man Operation FAIL

Check out more absolutely professional workers being completely safe at There I Fixed It

Submitted by: Steve


Epic Fail Funny Videos and Funny Pictures

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This Week’s Interesting Music Releases – September 27th, 2011

Posted in Pop Literature on September 27th, 2011 by Admin

This week’s music release lists offers a tantalizing variety of new albums, box sets, and reissues, and even a new Bangles album, Sweetheart of the Sun.

Wilco’s The Whole Love is easily the week’s marquee release, and on the first couple of spins my favorite album of theirs since Yankee Hotel Foxtrot.

From what I have already heard, I can also strongly recommend Dominant Legs’ Invitation, Dum Dum Girls’ Only in Dreams, Matthew Sweet’s Modern Art, Pieta Brown’s Mercury, and Sleeper Agent’s Celebrasian.

Note of Hope: A Celebration of Woody Guthrie features a diverse group of artists including Ani DiFranco, Nellie McKay, and Pete Seeger covering the folk legend’s songs.

Pink Floyd’s The Discovery Studio Album Box Set is a 16-CD box set that contains 14 albums and a 60-page artwork booklet. All 14 albums have been remastered and are available individually as well.

Nirvana’s Nevermind has been remastered for its 20th anniversary and is available in a variety of formats including vinyl and CD box sets.

Darklands and Psychocandy by the Jesus & Mary Chain have been remastered and are out this week with CDs of bonus material.

What new releases are you picking up this week? What can you recommend? Have I left anything noteworthy off the list?

This week’s interesting music releases:

Airbird: City Vs. Mountains
Alessi’s Ark: Time Travel
Anvil: Monument of Metal: The Very Best of Anvil
Apparat: The Devil’s Walk
Arthur Russell: Let’s Go Swimming
The Bangles: Sweetheart of the Sun
Barb Jungr: Man in the Long Black Coat – Barb Jungr Sings Bob Dylan
The Barr Brothers: The Barr Brothers
Big Troubles: Romantic Comedy
Bill Frisell: All We Are Saying… (John Lennon covers album)
Blink 182: Neighborhoods
Bob Dylan: Oh Mercy (reissue) [vinyl]
Bonnie ‘Prince’ Billy: The Mindeater EP
Boom Bip: Zig Zaj
Carolina Liar: Wild Blessed Freedom
The City and Horses: We Will Never Be Discovered
Craig Wedren: Wand
Dan Mangan: Oh Fortune
Dan Zanes & Friends: Little Nut Tree
Deleted Waveform Gatherings: Pretty Escape
Dominant Legs: Invitation
Duke Spirit: Bruiser
Dum Dum Girls: Only in Dreams
Echo & the Bunnymen: Ocean Rain (reissue) [vinyl]
Echo & the Bunnymen: Porcupine (reissue) [vinyl]
Eleh: Floating Frequencies / Intuitive (3-CD box set)
Far-Out Fangtooth: Pure & Disinterested
Frank Black: Frank Black (reissue)
Frank Black: Teenager of the Year (reissue)
Gem Club: Breakers
The Gift: Explode
Harmonizer: World Complete
Iggy And The Stooges – Raw Power Live: In The Hands Of The Fans [dvd]
James Blackshaw: Holly EP [vinyl]
The Jesus and Mary Chain: Darklands (remastered with bonus tracks)
The Jesus and Mary Chain: Psychocandy (remastered with bonus tracks)
Joe Bonamassa and Beth Hart: Don’t Explain
John Zorn: At the Gates of Paradise
Johnny Winter: Roots
Joker: Here Come The Lights [vinyl]
Josh Rouse & The Long Vacations: Josh Rouse & The Long Vacations
Kasabian: Velociraptor
Kid Creole & Coconuts: I Wake Up Screaming
Kitchen’s Floor: Look Forward to Nothing
Lewis Black: Prophet
Machine Head: Unto the Locust
Madlib: Medicine Show No. 12
Mark McGuire: Get Lost
Mastodon: The Hunter
Matthew Sweet: Modern Art
Mekons: Ancient & Modern
Mike Doughty: Yes and Also Yes [vinyl]
Miles Zuniga: These Ghosts Have Bones
Nirvana: Live at the Paramount [dvd]
Nirvana: Nevermind (remastered) (2-CD deluxe edition) (4-LP vinyl box set) (4-CD & DVD box set)
Pallers: Sea of Memories
Pieta Brown: Mercury
Pink Floyd: The Discovery Studio Album Box Set (16-CD box set)
Pink Floyd: Animals (remastered)
Pink Floyd: Atom Heart Mother (remastered)
Pink Floyd: The Dark Side Of The Moon (remastered)
Pink Floyd: The Division Bell (remastered)
Pink Floyd: The Final Cut (remastered)
Pink Floyd: Meddle (remastered)
Pink Floyd: A Momentary Lapse Of Reason (remastered)
Pink Floyd: More (remastered)
Pink Floyd: Obscured By Clouds (remastered)
Pink Floyd: The Piper At The Gates Of Dawn (remastered)
Pink Floyd: A Saucerful of Secrets (remastered)
Pink Floyd: Ummagumma (remastered)
Pink Floyd: The Wall (remastered)
Pink Floyd: Wish You Were Here (remastered)
Plaid: Scintilli
Psychic Dancehall: Dreamers [vinyl]
Public Image Ltd: Live at the Isle of Wight Festival 2011
Radiation City: The Hands That Take You
Rwake: Rest
Sleeper Agent: Celebrasian
Soley: We Sink
Southern Culture on the Skids: Zombified (reissue)
Spank Rock: Everything Is Boring and Everyone is a F—ing Liar
Steven Wilson: Grace for Drowning
Sting: 25 Years (3-CD & DVD box set)
Throwing Muses: Anthology: Deluxe Book
Tune-Yards: Gangsta
Twin Sister: In Heaven
Tyler Ramsey: The Valley Wind
Van Hunt: What Were You Hoping For?
Various Artists: Footloose: Music From the Motion Picture
Various Artists: Japan 3/11/11: A Benefit Album [vinyl]
Various Artists: Note of Hope: A Celebration of Woody Guthrie
Various Artists: Putumayo Presents: Acoustic Cafe
Various Artists: Titan: It’s All Pop! (4-LP vinyl box set)
VHS or Beta: Diamonds and Death
Walls: Coracle
We Were Promised Jet Packs: Medicine
Wilco: The Whole Love
Will Hoge: Number Seven
Yellow Dubmarine: Abbey Dub
Young Man: Ideas of Distance
Youth Lagoon: The Year of Hibernation
Zechs Marquise: Getting Paid

also at Largehearted Boy:

weekly CD & DVD release lists
Try It Before You Buy It (music from this week’s CD releases)




Largehearted Boy

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“Eyes To See” by Joseph Nassise (Reviewed by Robert Thompson)

Posted in Fantasy Literature on September 26th, 2011 by Admin
Order “Eyes To SeeHERE
Read An Excerpt HERE
AUTHOR INFORMATION: Joseph Nassise is the author of more than a dozen novels, including the internationally bestselling Templar Chronicles and several books in the Rogue Angel action/adventure series from Gold Eagle. He’s also a former president of the Horror Writers Association, and a two-time Bram Stoker Award and International Horror Guild Award nominee. He currently lives with his family in Phoenix, Arizona.
PLOT SUMMARY: Jeremiah Hunt was happily married, the father of a lovely young daughter, and successfully employed at Harvard. Then his life fell apart. One moment, his daughter was playing in her room; the next, she was gone without a trace. Within months, Hunt’s obsessive search for his daughter cost him everything else of value in his life: his marriage, his career, his reputation. Desperate to reclaim what was lost, he finally turns to the supernatural for justice.
Sacrificing his normal sight so that he can see the ‘unseen’, Jeremiah enters a world of ghosts and even more dangerous entities that stalk his worst nightmares. Doomed to walk between the light of day and the deepest darkness beyond night, Hunt now earns a meager living chasing away wayward spirits that are tormenting the living, while taking on the occasional consulting job for the Boston police department.
On his latest consulting job, Jeremiah is asked to investigate a series of brutal murders that leads him to new friends, new enemies and new clues about his daughter, propelling Hunt on a desperate search for answers. A search that will force Hunt to confront an ageless, malevolent entity that would use him for its own nefarious purposes…
FORMAT/INFO: Eyes To See is 320 pages long divided over fifty-six numbered chapters. Each chapter is subtitled either ‘Now’ to represent the present, or ‘Then’ to represent the past. For the most part, narration is in the first-person via Jeremiah Hunt, but the narrative switches to various third-person POVs (hedge witch Denise Clearwater, an unnamed creature, etc.) throughout the novel. Eyes To See wraps up some of the book’s main storylines, but it is the first volume in The Jeremiah Hunt Chronicle, which will be followed by King of the Dead in 2012. October 11, 2011 marks the North American Hardcover publication of Eyes To See via Tor. Cover art is provided by Cliff Nielsen.
ANALYSIS: Urban fantasy is a genre I’ve almost completely sworn off due to reasons vented elsewhere. That said, I’m always on the lookout for titles that might bring something new to the table. In the case of Joseph Nassise’s Eyes To See, readers are promised an urban fantasy novel that “charts daring new territory in the field” if the synopsis and author blurbs are anything to go by, but does the book really deliver on that promise? The answer is yes . . . and no.
For the most part, Eyes To See is a typical urban fantasy novel. Between Jeremiah Hunt’s first-person narrative; his supernatural gifts—including the ability to see and communicate with ghosts; the contemporary urban setting where vampires, demons, angels, witches and the like all exist; and a story that mixes mystery & police procedural with the paranormal, Eyes To See offers very few surprises for anyone familiar with the genre. In fact, I was constantly reminded of Mike Carey’s Felix Castor series and The Dresden Files as I was reading the book, although there are a couple of neat ideas in the novel like Jeremiah’s ability to borrow attributes (sight and strength) from a ghost.
What separates Eyes To See from its competition is the disappearance of the protagonist’s daughter five years earlier, which not only precipitated the chain of events that resulted in Jeremiah Hunt developing supernatural abilities, but also acts as the driving element behind his current actions in the novel, whether it’s performing exorcisms or doing consulting work for the Boston PD. As a father of two young children, I was really moved by Jeremiah’s loss, which is relived in painful detail through gut-wrenching flashbacks that cover his daughter’s disappearance, the despairing search for the missing girl, Hunt’s descent into madness, and the Faustian deal that made him blind, while granting him ‘ghostsight’. It’s heartbreaking stuff, infusing Eyes To See with an emotional punch that is unusual for the genre, but refreshing.
Unfortunately, Joseph Nassise is unable to maintain this emotional impact for the entire novel. After the secondary characters have been fully introduced and the story kicks into high gear, the disappearance of Jeremiah’s daughter becomes overshadowed by more conventional urban fantasy fare, including a murder mystery, an attraction developing between Hunt and the hedge witch Denise Clearwater, and dealing with a supernatural threat. To make matters worse, the author’s execution is hit-and-miss over the last two-thirds of the novel, punctuated by third-person POVs that pale in comparison to Jeremiah Hunt’s first-person narrative, at the same time failing to flesh out any of the secondary characters, and a narrative plagued by inconsistencies (Why is the creature trying to frame Jeremiah which seems at odds with its original plan?), characters acting out of turn (Dmitri giving up on Denise so easily), improbable scenarios—Hunt’s effortless escape from the police, Detective Miles Stanton’s timely intervention, etc.—and a climax that feels rushed.
Joseph Nassise does redeem himself at the end of the novel when the fate of Jeremiah’s daughter is unveiled, but the revelation lacks the impact it could have had if the book hadn’t become sidetracked by murder mysteries, romantic developments and supernatural drama.
Writing-wise, apart from weak supporting characters and issues with the narrative, Eyes To See is a very polished urban fantasy novel, highlighted by Jeremiah Hunt’s compelling first-person narrative and skilled prose:
A sudden, overwhelming sense of despair washed over us. One moment we were perfectly fine and the next, drowning in a sea of emotion. It was the helplessness of a young child lost at the county fair without a familiar face in sight, the horror of a prisoner facing a life sentence in a six-by-eight box of a cell, the utter hopelessness of watching your family slaughtered horribly before your eyes while you lay bound on the floor, unable to do anything to stop it, all rolled up into one neat little package.
Parents experience a unique kind of fear. It is at once more visceral and more paralyzing than any other fear, a cold, clammy hand that squeezes your heart until your very blood starts to drip from between its fingers. It invades your mind like an alien presence, disrupts your thought processes and ratchets your emotions right off the scale, until you can’t possibly think straight and every second is an eternity, an eternity where all you can do is think about all of the terrible things that could have happened to your precious child.
CONCLUSION: Because of the emotional punches landed by Jeremiah Hunt’s missing daughter, Joseph Nassise’s Eyes To See is partially successful in bringing something new to the genre, but in other areas, the novel doesn’t measure up to its peers due to one-dimensional supporting characters, narrative shortcomings, and relying too much on familiar urban fantasy trappings. Still, as far as the genre is concerned, Eyes To See is solidly entertaining, and I’m curious to see what happens in the next Jeremiah Hunt Chronicle, King of the Dead

Fantasy Book Critic

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CFP: Teaching, Women’s Writing, Travelling Women

Posted in Romance Literature on September 26th, 2011 by Admin
Laura Vivanco

The following three calls for papers were announced in the latest email digest from The Middlebrow Network.

TeachingTainted Lit: Popular American Fiction and the Perils and Pleasures of theClassroom

Essay contributions are sought for a volume entitled Teaching Tainted Lit: Popular American Fiction and the Perils and Pleasures of the Classroom, to be edited by Janet G. Casey. Taking as its premise the idea that popular fiction has secured a solid position in higher education classrooms, this collection seeks to explore its pedagogical implications. Possible topics may include:

  • unusual or insightful uses of the popular in the context of college English
  • historical or contemporary struggles over the teaching of popular texts
  • the politics and intersections of popularity and canonicity as they pertain to the classroom
  • anxieties andpleasures (on the parts of students and/or teachers) located in reading the popular
  • differences in attitudes about studying historical and contemporary popular texts
  • relations between teaching the popular and the perceived crisis in the humanities
  • teaching the American popular outside the U.S.
  • issues of publication and dissemination that affect teaching (e.g., working with magazines; problems associated with out-of-print materials).

Essays that focus on a particular text and its pedagogical ramifications are also welcome, especially if they put broader questions into play. Personal/anecdotal postures invited.  Please send a 300-word abstract and cv to jcasey@skidmore.edu by 15 Jan. 2012.  Invited essays will be due in late 2012.

Postgraduate Conference: The Popular and The Middlebrow: Women’sWriting 1880–1940
12 April 2012, Newcastle University.

Keynote Speaker:Professor Nicola Humble (Roehampton)

This event aims to bring together postgraduate researchers from across the UK and beyond to discuss the growing interest in and importance of the categories of the middlebrow and the popular as ways of engaging with women’s writing in the late nineteenth and early twentieth centuries. Both of these terms have become crucial ways of exploring the work of more marginalised female writers who were not directly involved in larger intellectual discourses such as Modernism or social realism, but who enjoyed a great deal of success during their own time. From the regency romances of Georgette Heyer to the crime fiction of Agatha Christie, from the muted socialist politics of Winifred Holtby to the witty asides of Molly Keane, the conference reasserts the importance of these women’s writing as part of a wider literary tradition. It encourages papers which both work with and interrogate the terms ‘popular’ and ‘middlebrow’ as well as those which choose to apply them to the work of a specific woman or group of women in order to challenge or consolidate their usage. It asks: do the terms still contain inherent value judgements? Are they problematic when applied to women’s literature? Or do they engender a challenge to preconceptions about women and literary history, allowing for a reconceptualization of notions of canonicity?

  • Possible topics include:
  • Women writers and the popular
  • Women writers and the middlebrow
  • Domesticity and the home
  • Place and landscape
  • War and politics
  • Queer fictions
  • Marginalised women writers
  • Violence
  • Women writing romance
  • Women and historical fictions
  • Women writers and science fiction

Proposals of no more than 300 words should be emailed to middlebrow-conf@ncl.ac.uk by 30 November 2011.

The conference has a website.

Moving Dangerously: Women and Travel, 1850-1950
13-14 April 2012, Newcastle University.

Keynote Speakers:Alexandra Peat (University of Toronto)and Avril Maddrell (University of the West of England)

The period between 1850 and 1950 is widely acknowledged to have been one of dramatic societal and cultural change, not least in terms of women’s experience of and relationship to travel. The rapid expansion of the travel networks both nationally and internationally towards the end of the nineteenth century coincided with the impact of first wave feminism, as the suffragette movement gathered momentum and the figure of the New Woman appeared. By 1950, new forms of technology and transport, and their widespread availability, had substantially altered women’s perception of and ability to travel.

This two-day international and interdisciplinary conference invites papers that explore the changing relationship of women and travel across key moments in modernity, such the First World War and its effects on women’s independence, the developments in British Imperial activity, and the boom in rail, air and sea travel. The conference aims to stimulate academic discussion on a range of topics relating to women and travel in the period ranging from 1850-1950. These topics include representations of women and travel in fiction and film, non-fictional portrayals and documentations, as well as archival work on first-hand accounts of women travellers. As such, we welcome papers from those working in the fields of Literature, History, Geography, Film and Media, Modern Languages, Gender/Women’s Studies, and Politics.

Potential paper topics might include considerations of: both published and unpublished travel-writings by women of the period; fictional accounts of travel written by women throughout the period; representations of women travellers in contemporary biography; representations of women and travel during the period in fiction and film, and the benefits of archival research into women and travel on contemporary understandings of women’s role in modernity.

Please send abstracts of 250 words for 20 minute papers to: moving@ncl.ac.uk by 30 November 2011.

The conference has a website.

Teach Me Tonight

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“The Emperor’s Edge” by Lindsay Buroker (Reviewed by Mihir Wanchoo)

Posted in Fantasy Literature on September 25th, 2011 by Admin
Order “The Emperor’s EdgeHERE
Read An Excerpt HERE
Read FBC’s Review of “Encrpted
AUTHOR INFORMATION: Lindsay Buroker is a writer who was influenced by J.A. Konrath to become a self-published author. She has a B.A from the University of Washington and also served in the military. Nowadays she works as an independent Internet professional and lives in the greater Seattle area. She has written six books so far including Encrypted and Flash Gold.
PLOT SUMMARY: Imperial law enforcer Amaranthe Lokdon is good at her job: she can deter thieves and pacify thugs, if not with a blade, then by toppling an eight-foot pile of coffee canisters onto their heads. But when ravaged bodies show up on the waterfront, an arson covers up human sacrifices, and a powerful business coalition plots to kill the emperor, she feels a tad overwhelmed.
Worse, Sicarius, the empire’s most notorious assassin is in town. He’s tied in with the chaos somehow, but Amaranthe would be a fool to cross his path. Unfortunately, her superiors order her to hunt him down. Either they have an unprecedented belief in her skills . . . or someone wants her dead.
FORMAT/INFO: The Kindle edition 318 pages long divided over twenty-one chapters and an Epilogue. Narration is evenly divided in the third-person omniscient chapters between Amaranthe Lokdon and Emperor Sespian Savarsin. The plot is completely self-contained, but is the first book of the Emperor’s Edge series.
ANALYSIS: Liviu Suciu previously reviewed Lindsay Buroker’s novel Encrypted on FBC, which is how I became interested in the author’s work. So when I heard about The Emperor’s Edge, a fantasy-steampunk hybrid, I immediately bought a copy on Amazon.
The Emperor’s Edge is set in the capital city of the Turgonian Empire, which is ruled by science and refutes magic as an unworthy practice. It is also facing tension across its borders from the country of Nuria where magic is given free rein. Into this backdrop, reader are immediately introduced to Amaranthe Lokdon, a lowly corporal stuck on patrol duty with her lazy partner Wholt. Readers are also introduced to Emperor Sespian Savarsin, who is trying to get back on his feet, while Commander Hollowcrest helps him rule the empire. During a routine patrol, Amaranthe and Wholt discover a suspicious fire that spirals out of control. Soon after, events occur which pull Amaranthe from her normal duties as an imperial enforcer to hunting down Sicarius, the most dangerous assassin in the world. And thus the plot to this fantastical story begins…
Instead of going for an all-original idea, Lindsay Buroker has taken an oft-used concept and presented it with her own additions. So even though The Emperor’s Edge is described as a “high fantasy novel in the era of steam”, the book comes across as a campy fantasy adventure hybrid . In fact, what I liked most about the novel was its campy feel, which includes characters and situations often cropping up to delude the protagonists of their well thought-out but slightly improper plans. This kept me chuckling constantly as the humor quotient is kept at a remarkably steady level. Granted, the story sometimes takes silly turns, but the plot twists and Lindsay Buroker’s writing make these moments entertaining rather than overtly stupid.
Another important factor for me was the great characterization. Even though there are only two POVs in The Emperor’s Edge, there are several supporting characters involved in the main plot and the author makes sure each one is unique, if not a bit stereotypical, but I think that was more for comedic effect. Amaranthe though is the most well-rounded character in the book, as readers are shown a close look at her down-to-earth, hard working personality; her thoughts; and using her tenacity and gift of persuasion to overcome the challenges in her life. Not only that, but Amaranthe is the emotional core of the book. Be it her interactions with Sicarius, Books, Maldynado, etc.; her calm nature; or her deductive ability; Amaranthe comes across as a heroic persona.
Sicarius is another intriguing character, but not many details are revealed about him. Hopefully the author will rectify this in the sequel. World-building is also very impressive with the world of The Emperor’s Edge brought to life through vivid descriptions. Lastly, there’s no quasi-European feel to this novel. So instead of the usual medieval routine, Lindsay Buroker offers readers a more tropical setting highlighted by racial diversity.
Not everything about The Emperor’s Edge is rosy however. The plot for instance, is very linear, not to mention predictable, while secondary characters possess clear-cut agendas and are pretty much black and white.
CONCLUSION: After reading just one book—the very fun and entertaining fantasy adventure hybrid that is The Emperor’s Edge—I’ve become a Lindsay Buroker fan and can’t wait to read the rest of her series. For anyone who loves David Eddings, Terry Brooks and Rachel Aaron, The Emperor’s Edge is a book I heartily recommend to you…

Fantasy Book Critic

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